Pyotr Ilyich Tchaikovsky, Christoph von Dohnányi, The Cleveland Orchestra's 'Eugen Onegin, Op. 24, TH 5: Polonaise' came out on April 1, 1987. With this song being about 5 minutes long, at 4:35, "Eugen Onegin, Op. 24, TH 5: Polonaise" by Pyotr Ilyich Tchaikovsky, Christoph von Dohnányi, The Cleveland Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 5 in the song's album "Tchaikovsky: Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique" & Polonaise from Eugen Onegin, Op. 24, TH 5". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Eugen Onegin, Op. 24, TH 5: Polonaise is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Eugen Onegin, Op. 24, TH 5: Polonaise by Pyotr Ilyich Tchaikovsky, Christoph von Dohnányi, The Cleveland Orchestra having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto for the Left Hand No. 1: III. Var. 3 | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
The Two Widows (Dve Vdovy) - Opera in 2 Acts: Polka | Bedřich Smetana, Cleveland Orchestra, Christoph von Dohnányi | C Major | 1 | 8B | 93 BPM | ||
crazy | ismet cerepi | F Minor | 1 | 4A | 114 BPM | ||
Die Fledermaus | Rundfunkorchester des Südwestfunks Baden-Baden | D Major | 1 | 10B | 130 BPM | ||
Capriccio espagnol, Op. 34: Scena e canto gitano: Allegretto | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Keith Clark | A Minor | 2 | 8A | 92 BPM | ||
Die Reise um die Erde in 80 Tagen (Version Without Narration): Prelude | Franz von Suppé, Janacek Philharmonic Orchestra, Dario Salvi | F Major | 0 | 7B | 144 BPM | ||
世界名曲:春之聲 | 蔡榮吉, 李淑雲, 吳爾笠 | B♭ Major | 2 | 6B | 103 BPM | ||
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 5, Variation de la grêle | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Variations on a Theme by Tchaikovsky, Op. 35a: II. Var. I. Un poco più Mosso | Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà | C Major | 4 | 8B | 182 BPM | ||
Sinfonietta: III. Allegro | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | D♭ Major | 2 | 3B | 100 BPM |
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