"Christ on the Mount of Olives, Op. 85: Hallelujah" by Ludwig van Beethoven, Robert Shaw, Atlanta Symphony Orchestra was released on November 1, 1985. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 15 in Choral Masterpieces by Robert Shaw, Atlanta Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Christ on the Mount of Olives, Op. 85: Hallelujah is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Christ on the Mount of Olives, Op. 85: Hallelujah by Ludwig van Beethoven, Robert Shaw, Atlanta Symphony Orchestra is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mouret: Rondeau ("Masterpiece Theater" Theme) - Produced | Mouret, Calvin Hampton | D Major | 1 | 10B | 146 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": 4. Excerpt: An die Freude - Live | Ludwig van Beethoven, Friedrich Schiller, Sydney Philharmonia Motet Choir, Sydney Philharmonia Symphonic Choir, Antony Walker, Sydney Philharmoinia Orchestra | G Major | 4 | 9B | 102 BPM | ||
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
Trio n°3, Op. 1: I. Allegro con brio | Ludwig van Beethoven, Trio Leos, Pablo Schatzman, Guillaume Lafeuille, Jean-Michel Dayez | C Minor | 0 | 5A | 165 BPM | ||
Locus iste | Anton Bruckner, Regensburger Domspatzen, Roland Büchner | F♯ Major | 3 | 2B | 90 BPM | ||
Passion Week, Op. 58: I. Behold, the Bridegroom | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | D♭ Minor | 1 | 12A | 130 BPM | ||
Misatango, Misa a Buenos Aires: V. Quoniam tu solus sanctus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Major | 3 | 8B | 89 BPM | ||
Requiem: Salvator Mundi | Herbert Howells, Conspirare, Craig Hella Johnson | G Major | 0 | 9B | 126 BPM | ||
Beethoven: 12 Contredanses, WoO 14: No. 10 in C Major | Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 169 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM |
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