"Requiem: Salvator Mundi" by Herbert Howells, Conspirare, Craig Hella Johnson was released on March 28, 2006. The duration of Requiem: Salvator Mundi is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Requiem: Salvator Mundi's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Requiem - Howells, Whitacre, Pizzetti". In this album, this song's track order is #1. Based on our statistics, Requiem: Salvator Mundi's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem: Salvator Mundi by Herbert Howells, Conspirare, Craig Hella Johnson having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Chansons: No. 2. Un cygne | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 1 | 9A | 82 BPM | ||
Crucifixus | Antonio Lotti, Armonico Consort, Christopher Monks | C Minor | 1 | 5A | 127 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Strengthen ye the weak hands | David Buckley, Peter Morton, Rachel Robinson, Christopher Monks | G Major | 1 | 9B | 129 BPM | ||
Reincarnations: Mary Hynes, Op. 16, No. 1 | Samuel Barber, Conspirare, Craig Hella Johnson | F Major | 1 | 7B | 107 BPM | ||
Sainte-Chapelle | Eric Whitacre, National Youth Choir Of Great Britain, Ben Parry | C Major | 1 | 8B | 167 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: II. Glory Be to the Father | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | A♭ Major | 2 | 4B | 119 BPM | ||
Vexilla regis, WAB 51 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 130 BPM | ||
Miserere, Op.44: 1. Domine Deus noster-Lento | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 72 BPM | ||
Alleluia | Randall Thompson, Mark Kruczek, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 82 BPM |
Section: 0.9957265853881836
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