"Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio" by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma was released on June 4, 2013. The duration of Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 31 in Bortniansky: I cried out to the Lord: Hymns and Choral Concertos by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma. In terms of popularity, Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Maria Magdalena: Agnus Dei | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | D Major | 1 | 10B | 86 BPM | ||
Veu que du tout (Ps. 11) | Paschal de l'Estocart, Dominique Visse, Ensemble Clément Janequin | D♭ Minor | 2 | 12A | 115 BPM | ||
Burial Sentences: VII. I Heard A Voice From Heav'n | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | E♭ Major | 1 | 5B | 177 BPM | ||
Sacred Concerto No. 22, "Hospod' prosvyeshcheniye moye" (The Lord is my light): II. Though a host should encamp against me — | Dmitry Bortniansky, State Symphony Capella of Russia, Valery Polyansky | B♭ Major | 1 | 6B | 82 BPM | ||
Ave Generosa | Ola Gjeilo, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Stetit Angelus | Millikin University Choir | A Minor | 1 | 8A | 86 BPM | ||
Sacred Concerto No. 23, "Blazheni lyudiye vedushchii voskliknoveniye" (Blessed are the people who kn: III. I will set his hand also in the sea — | Dmitry Bortniansky, State Symphony Capella of Russia, Valery Polyansky | E♭ Major | 2 | 5B | 80 BPM | ||
Sacred Concerto No. 20, "Na Tya Hospodi, upovakh'" (In thee, O Lord, have I trusted): I. In thee, o Lord, do I put my trust — | Dmitry Bortniansky, State Symphony Capella of Russia, Valery Polyansky | B♭ Major | 0 | 6B | 82 BPM | ||
Mass in D Major, Op. 86, B. 153: V. Benedictus | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | G Major | 0 | 9B | 67 BPM | ||
Eternal Memory | "The Orthodox Singers" Male Choir, Georgiy Smirnov | D♭ Minor | 0 | 12A | 131 BPM |
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