"Sacred Concerto No. 20, "Na Tya Hospodi, upovakh'" (In thee, O Lord, have I trusted): I. In thee, o Lord, do I put my trust —" by Dmitry Bortniansky, State Symphony Capella of Russia, Valery Polyansky was released on August 1, 2000. The duration of Sacred Concerto No. 20, "Na Tya Hospodi, upovakh'" (In thee, O Lord, have I trusted): I. In thee, o Lord, do I put my trust — is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Sacred Concerto No. 20, "Na Tya Hospodi, upovakh'" (In thee, O Lord, have I trusted): I. In thee, o Lord, do I put my trust —'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 25 in Bortniansky: Sacred Concertos, Vol. 3 by Dmitry Bortniansky, Valery Polyansky. Sacred Concerto No. 20, "Na Tya Hospodi, upovakh'" (In thee, O Lord, have I trusted): I. In thee, o Lord, do I put my trust — is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sacred Concerto No. 20, "Na Tya Hospodi, upovakh'" (In thee, O Lord, have I trusted): I. In thee, o Lord, do I put my trust — by Dmitry Bortniansky, State Symphony Capella of Russia, Valery Polyansky is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Somma: Ave Maria | Bonaventura Somma, Schola Cantorum San Daniele, Angelo Zanatta, Donato Cuzzato | A♭ Major | 1 | 4B | 87 BPM | ||
Harmony of Angels | LeoRoads | E Minor | 2 | 9A | 130 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Peace I Leave with You | Amy Beach, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E♭ Major | 1 | 5B | 81 BPM | ||
Alkukuoro, Vuorten Ylle Aurinko on Noussut (Suuri Kalansaalis) | Oulun kamariorkesteri, Cantio Laudis -kuoro | C Minor | 1 | 5A | 76 BPM | ||
Brahms : 7 Lieder Op.62 : III Waldesnacht | Johannes Brahms, Arnold Schoenberg Chor | D Minor | 2 | 7A | 76 BPM | ||
Messe brève No. 7: V. Agnus Dei | Charles Gounod, Mirko Ludwig, Gunter Troje, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | G Major | 6 | 9B | 128 BPM | ||
Lord, for Thy Tender Mercy's Sake | Richard Farrant, Westminster Kantorei, Amanda Quist | A♭ Major | 1 | 4B | 77 BPM | ||
The Lord's Prayer | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | C Major | 5 | 8B | 180 BPM | ||
Diptych: I. The Lord's Prayer | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 68 BPM |
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