"Sacred Concerto No. 20, "Na Tya Hospodi, upovakh'" (In thee, O Lord, have I trusted): I. In thee, o Lord, do I put my trust —" by Dmitry Bortniansky, State Symphony Capella of Russia, Valery Polyansky was released on August 1, 2000. The duration of Sacred Concerto No. 20, "Na Tya Hospodi, upovakh'" (In thee, O Lord, have I trusted): I. In thee, o Lord, do I put my trust — is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Sacred Concerto No. 20, "Na Tya Hospodi, upovakh'" (In thee, O Lord, have I trusted): I. In thee, o Lord, do I put my trust —'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 25 in Bortniansky: Sacred Concertos, Vol. 3 by Dmitry Bortniansky, Valery Polyansky. Sacred Concerto No. 20, "Na Tya Hospodi, upovakh'" (In thee, O Lord, have I trusted): I. In thee, o Lord, do I put my trust — is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sacred Concerto No. 20, "Na Tya Hospodi, upovakh'" (In thee, O Lord, have I trusted): I. In thee, o Lord, do I put my trust — by Dmitry Bortniansky, State Symphony Capella of Russia, Valery Polyansky is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pjotr Tsaikovski: Legend (op. 54/5) | Lumen Valo | E Minor | 0 | 9A | 81 BPM | ||
Three Sacred Hymns: III. Vater unser | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | E♭ Major | 1 | 5B | 75 BPM | ||
Alleluja | Sjaella | D Major | 0 | 10B | 66 BPM | ||
Sacred Concerto No. 6, "Slava vo vishnikh Bohu" (Glory to God in the highest): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | F♯ Major | 0 | 2B | 69 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): The Nativity of Christ: Come, let us worship | Georgy Sviridov, Credo Chamber Choir, Bogdan Plish | D♭ Minor | 1 | 12A | 67 BPM | ||
Weihnachtslieder, Op. 8: No. 3, The Three Kings (Arr. Atkins/Park) | Peter Cornelius, Owain Park, The Gesualdo Six | G Major | 1 | 9B | 95 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: Choral: "Befiehl du deine Wege" | Johann Sebastian Bach, The Hilliard Ensemble | D♭ Major | 0 | 3B | 104 BPM | ||
Spaseniye sodelal yesi posrede zemli (Salvation is Created), Op. 25, No. 5 | Pavel Chesnokov, Dale Warland Singers, Dale Warland | D Major | 0 | 10B | 133 BPM | ||
Sacred Concerto No. 17, "Kol' vozlyublenna seleniya tvoya, Hospodi" (How lovely is thy dwelling plac: II. As the Lord loves mercy and truth — | Dmitry Bortniansky, State Symphony Capella of Russia, Valery Polyansky | E Major | 0 | 12B | 130 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM |
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