- BPM
- 76
- Key
- D Minor
- Camelot
- 7A
Brahms : 7 Lieder Op.62 : III Waldesnacht - Johannes Brahms, Arnold Schoenberg Chor Information
- Acousticness
- 99%
- Danceability
- 16%
- Energy
- 22%
- Instrumentalness
- 0%
- Liveness
- 8%
- Loudness
- 74%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 10%
- Loudness
- -15.547 dB
Summary
"Brahms : 7 Lieder Op.62 : III Waldesnacht" by Johannes Brahms, Arnold Schoenberg Chor was released on July 1, 1994. With this song being about 5 minutes long, at 5:09, "Brahms : 7 Lieder Op.62 : III Waldesnacht" by Johannes Brahms, Arnold Schoenberg Chor is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 12 out of 25 in Brahms : Lieder & Romanzen - Secular Choruses by Johannes Brahms, Arnold Schoenberg Chor. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Brahms : 7 Lieder Op.62 : III Waldesnacht is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Brahms : 7 Lieder Op.62 : III Waldesnacht BPM
The tempo marking of Brahms : 7 Lieder Op.62 : III Waldesnacht by Johannes Brahms, Arnold Schoenberg Chor is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Brahms : 7 Lieder Op.62 : III Waldesnacht Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Etude-fantasie in E-Flat Major, Op. 4, "Les Vagues" | Vladimir Horowitz, Valery Kuleshov | G Minor | 1 | 6A | 67 BPM | |
 | Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | |
 | Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM | |
 | Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | |
 | Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | |
 | Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | |
 | Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | |
 | Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | |
 | Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | |
 | Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM |
- ISRC
- DEA809413158
- Label
- L-M Records/RCA Records
Section: 0.6042277812957764
End: 0.6077797412872314