Burial Sentences: VII. I Heard A Voice From Heav'n - William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland Information

Acousticness: 99%
Danceability: 12%
Energy: 9%
Instrumentalness: 36%
Liveness: 13%
Loudness: 65%
Speechiness: 5%
Valence: 4%
Popularity: 2%
Loudness: -21.123 dB

Summary

"Burial Sentences: VII. I Heard A Voice From Heav'n" by William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland was released on January 4, 2010. With Burial Sentences: VII. I Heard A Voice From Heav'n being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Thou Knowest Lord, the Secrets of Our Hearts (Funeral Music from 16th and 17th Century England)". In this album, this song's track order is #24. The popularity of Burial Sentences: VII. I Heard A Voice From Heav'n is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Burial Sentences: VII. I Heard A Voice From Heav'n BPM

With Burial Sentences: VII. I Heard A Voice From Heav'n by William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland having a BPM of 177 with a half-time of 88 BPM and a double-time of 354 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.

Burial Sentences: VII. I Heard A Voice From Heav'n Key

The music key of this track is E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Ich Lasse Dich Nicht BWV Anh. 159	Johann Cristoph Bach, Johann Sebastian Bach, Cantio Laudis, Olli Heikkilä, Oulun Kamariorkesterin Jousikvartetti, Irina Niskala	F Minor	1	4A	72 BPM
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden"	Josef Rheinberger, Westminster Kantorei, Amanda Quist	F Major	2	7B	134 BPM
O God Our Help In Ages Past	Isaac Watts, William Croft, Mormon Tabernacle Choir, Richard P. Condie	C Major	1	8B	171 BPM
27 2- and 3- Part Choruses, BB 111, Vol. 7: No. 1. Banat (Regret)	Béla Bartók, Schola Hungarica, László Dobszay	C Minor	0	5A	80 BPM
The lily and the rose (version for mixed chorus and piano)	Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch	A Minor	1	8A	77 BPM
The Crucifixion: III. Processional to Calvary	John Stainer, Choir of St Mary's Cathedral, Edinburgh, Liam Bonthrone, Imogen Morgan, Duncan Ferguson	G Major	1	9B	139 BPM
Missa Popularis: V. Agnus Dei	Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey	B Minor	1	10A	139 BPM
Funeral Sentences: II. In the Midst of Life	Henry Purcell, Michael Bawtree, Annabell McLauchlan, David Rowland	C Minor	1	5A	84 BPM
Gradual	The Choir of the Dormition Church of the Novodevichy Convent	F Minor	1	4A	131 BPM
Hymnen, Op. 140: Nr. 2 Dextera Domini	Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius	D Major	1	10B	78 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6110944747924805

End: 0.6145229339599609