Zohar: IV. Tiferes, "Shepherd Boy" - Jonathan Leshnoff, Nmon Ford, Atlanta Symphony Orchestra, Robert Spano Information

Acousticness: 96%
Danceability: 17%
Energy: 22%
Instrumentalness: 72%
Liveness: 32%
Loudness: 73%
Speechiness: 5%
Valence: 4%
Popularity: 0%
Loudness: -16.375 dB

Summary

"Zohar: IV. Tiferes, "Shepherd Boy"" by Jonathan Leshnoff, Nmon Ford, Atlanta Symphony Orchestra, Robert Spano was released on November 18, 2016. Since Zohar: IV. Tiferes, "Shepherd Boy" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jonathan Leshnoff, Atlanta Symphony Orchestra, Robert Spano's "Jonathan Leshnoff: Zohar & Symphony No. 2 "Innerspace"" album is number 9 out of 11. The popularity of Zohar: IV. Tiferes, "Shepherd Boy" is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Zohar: IV. Tiferes, "Shepherd Boy" BPM

We consider the tempo marking of Zohar: IV. Tiferes, "Shepherd Boy" by Jonathan Leshnoff, Nmon Ford, Atlanta Symphony Orchestra, Robert Spano to be Vivace (lively and fast) because the track has a tempo of 161 BPM, a half-time of 80BPM, and a double-time of 322 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.

Zohar: IV. Tiferes, "Shepherd Boy" Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Saxophone Concerto, Op. 26 (Version for Saxophone & Orchestra): I. Energetic	Paul Creston, Timothy McAllister, National Orchestral Institute Philharmonic, Joann Falletta	A Major	5	11B	118 BPM
Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio	Arnold Rosner, London Philharmonic Orchestra, Nick Palmer	C Minor	1	5A	136 BPM
Violin Concerto: II.	Frederick Delius, Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra	A Minor	1	8A	91 BPM
Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets	Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan	B Major	0	1B	124 BPM
The Wooden Prince, Sz. 60 (Final Version): V. Second Dance - The Dance of the Trees	Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard	F Major	4	7B	154 BPM
Shchedrin: Carmen Suite: VII. Second Intermezzo (after Bizet's opera)	Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev	E Major	1	12B	116 BPM
Proving the Existence of Folkloric Creatures	Milo Paulus	F♯ Major	3	2B	65 BPM
Aubade, FP 51a: VIII. Andante. Variation de Diane	Francis Poulenc, Ronald Corp, New London Orchestra, Julian Evans	E Major	0	12B	178 BPM
Revolución diamantina, Act III: Borders and bodies	Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale	D Minor	1	7A	74 BPM
Suite for String Orchestra, JW6 No. 2: V. Adagio	Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren	B♭ Major	0	6B	89 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8113815784454346

End: 0.8151793479919434