"Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio" by Arnold Rosner, London Philharmonic Orchestra, Nick Palmer was released on February 16, 2024. With Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "Rosner: Orchestral Music, Vol. 4". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio by Arnold Rosner, London Philharmonic Orchestra, Nick Palmer having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les contes d'Hoffmann (The Tales of Hoffmann): Barcarolle | London Philharmonic Orchestra | D Major | 1 | 10B | 80 BPM | ||
Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": II. Aria | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | F Minor | 0 | 4A | 68 BPM | ||
Cello Concerto: IV. Finale | Kirmo Lintinen, Trey Lee, English Chamber Orchestra, Emilia Hoving | G Major | 2 | 9B | 85 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Legend of Zelda: Suite | Koji Kondo, Andrew Skeet, London Philharmonic Orchestra | G Minor | 4 | 6A | 108 BPM | ||
Ultimate Sacrifice-Freedom (5m21-22) | John Powell | B♭ Major | 2 | 6B | 95 BPM | ||
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VIII. Vorpsiel | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 0 | 5B | 83 BPM | ||
Symphonic Suite No. 2 "Pernambucana": IV. Frevo | César Guerra-Peixe, Goiás Philharmonic Orchestra, Neil Thomson | E♭ Major | 3 | 5B | 146 BPM | ||
The Planets Suite, Op. 32: I. Mars | Gustav Holst, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir, Neville Creed | A♭ Major | 4 | 4B | 77 BPM | ||
Violin Concerto in C Major: I. Allegro moderato: section 5 | Havergal Brian, Marat Bisengaliev, BBC Scottish Symphony Orchestra, Lionel Friend | E Major | 0 | 12B | 101 BPM |
Section: 0.6733403205871582
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