Havergal Brian, Marat Bisengaliev, BBC Scottish Symphony Orchestra, Lionel Friend's 'Violin Concerto in C Major: I. Allegro moderato: section 5' came out on December 1, 1993. With Violin Concerto in C Major: I. Allegro moderato: section 5 being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 21 in Brian: Symphony No. 18 / Violin Concerto / The Jolly Miller by Havergal Brian. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Violin Concerto in C Major: I. Allegro moderato: section 5 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto in C Major: I. Allegro moderato: section 5 by Havergal Brian, Marat Bisengaliev, BBC Scottish Symphony Orchestra, Lionel Friend is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio for Piano, Violin and Horn in E-Flat Major, Op. 40: III. Adagio mesto | Johannes Brahms, Geoffroy Couteau, Amaury Coeytaux, Antoine Dreyfuss | F Major | 0 | 7B | 134 BPM | ||
Viola Concerto: II. Vivo, con molto preciso | William Walton, Lawrence Power, Ilan Volkov, BBC Scottish Symphony Orchestra | D♭ Major | 0 | 3B | 92 BPM | ||
The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Bohortha, Seven Pieces for Orchestra: I. Lost Worlds | Michael Zev Gordon, BBC Symphony Orchestra, Jukka-Pekka Saraste | B♭ Major | 0 | 6B | 134 BPM | ||
Four Scenes of Childhood: II. Promenade | Franz Waxman, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (4) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Variations on a Rococo Theme, Op. 33 (Arr. Malzew for Cello, Piano & 4 Saxophones): Var. 5. Allegro moderato | Pyotr Ilyich Tchaikovsky, Alliage Quintett, Alban Gerhardt | A Major | 1 | 11B | 85 BPM | ||
The Lark Ascending: IV. Senza misura | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | D Minor | 2 | 7A | 90 BPM | ||
Sospiri, Op. 70 (arr. E. Griffiths for violin and piano) | Edward Elgar, Eirian Griffiths, Marat Bisengaliev, Benjamin Frith | G Minor | 1 | 6A | 89 BPM | ||
Peer Gynt-Suite Nr. 1, Op. 46: II. Ases dod (The Death of Ase) | Edvard Grieg, BBC Scottish Symphony Orchestra, Jerzy Maksymiuk | B Minor | 0 | 10A | 84 BPM |
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