"Bohortha, Seven Pieces for Orchestra: I. Lost Worlds" by Michael Zev Gordon, BBC Symphony Orchestra, Jukka-Pekka Saraste was released on April 19, 2024. The duration of Bohortha, Seven Pieces for Orchestra: I. Lost Worlds is about 3 minutes long, at 3:10. Based on our data, "Bohortha, Seven Pieces for Orchestra: I. Lost Worlds" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Michael Zev Gordon's "Michael Zev Gordon: The Impermanence of Things" album is number 1 out of 23. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Bohortha, Seven Pieces for Orchestra: I. Lost Worlds's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bohortha, Seven Pieces for Orchestra: I. Lost Worlds by Michael Zev Gordon, BBC Symphony Orchestra, Jukka-Pekka Saraste to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Collect Lilac Flowers | Winfred Jeremiah | E♭ Major | 2 | 5B | 66 BPM | ||
Fantaisies sur le nom de Sacher, for String Orchestra: VIII. | Philippe Hersant, Orchestre royal de chambre de Wallonie, Vahan Mardirossian | E Minor | 0 | 9A | 105 BPM | ||
The Impermanence of Things: IV. Though the pool’s reflection often blurs before us | Michael Zev Gordon, London Sinfonietta, Ryan Wigglesworth, Huw Watkins | B♭ Major | 0 | 6B | 134 BPM | ||
Petrushka, K12 (1947 Version): IVj. Apparition of Petrushka's Ghost | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Messiaen: Éclairs sur l'au-delà...: IX. Plusiers oiseaux des arbres de Vie | Olivier Messiaen, Sir Simon Rattle, Berliner Philharmoniker | A Major | 0 | 11B | 84 BPM | ||
Bygones | Criticalx47 | B♭ Minor | 2 | 3A | 133 BPM | ||
String Quartet No. 1 "Métamorphoses nocturnes": Presto | György Ligeti, The Verona Quartet | G Major | 0 | 9B | 86 BPM | ||
Piano Concerto No. 2: III. Vivace | Pavel Bořkovec, Prague Radio Symphony Orchestra, Robert Jindra, Marek Kozák | B♭ Major | 3 | 6B | 100 BPM | ||
Clarinet Quartet: I. Notturno. Adagio | Krzysztof Penderecki, Kilian Herold, Florian Donderer, Barbara Buntrock, Tanja Tetzlaff | G Minor | 0 | 6A | 76 BPM | ||
Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM |
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