Sospiri, Op. 70 (arr. E. Griffiths for violin and piano) - Edward Elgar, Eirian Griffiths, Marat Bisengaliev, Benjamin Frith Information

Acousticness: 98%
Danceability: 63%
Energy: 6%
Instrumentalness: 90%
Liveness: 26%
Loudness: 55%
Speechiness: 17%
Valence: 97%
Popularity: 5%
Loudness: -26.715 dB

Summary

On May 3, 2011, the song "Sospiri, Op. 70 (arr. E. Griffiths for violin and piano)" was released by Edward Elgar, Eirian Griffiths, Marat Bisengaliev, Benjamin Frith. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 44 in Elgar: The Violin Music by Edward Elgar, Marat Bisengaliev, Bundit Ungrangsee. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Sospiri, Op. 70 (arr. E. Griffiths for violin and piano) is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Sospiri, Op. 70 (arr. E. Griffiths for violin and piano) BPM

The tempo marking of Sospiri, Op. 70 (arr. E. Griffiths for violin and piano) by Edward Elgar, Eirian Griffiths, Marat Bisengaliev, Benjamin Frith is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Sospiri, Op. 70 (arr. E. Griffiths for violin and piano) Key

G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Five Pieces For Two Violins and Piano: I. Prelude	Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan	G Major	0	9B	85 BPM
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem	Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths	G Minor	1	6A	105 BPM
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38	Carl Maria von Weber, Ensemble 3 Mouvements	G Major	0	9B	119 BPM
Lieder ohne Worte, Op. 19, No. 1	Felix Mendelssohn, Murray Perahia	E Major	0	12B	138 BPM
Pavane, Op. 50	Gabriel Fauré, Rotterdam Philharmonic Orchestra, Jean Fournet	F♯ Minor	0	11A	83 BPM
In the Steppes of Central Asia	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	A Major	0	11B	69 BPM
Fauré: Pavane, Op. 50	Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields	F♯ Minor	1	11A	70 BPM
Morgen, Op. 27 No. 4 (Arr. Reger for Piano)	Richard Strauss, Angela Hewitt	A Major	2	11B	143 BPM
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto	Antonín Dvořák, New York Philharmonic, Alan Gilbert	E Minor	1	9A	125 BPM
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	E Major	2	12B	161 BPM

ISRC: HKI191023905
Label: L-M Records/RCA Records

Section: 0.6679742336273193

End: 0.6730403900146484