- BPM
- 83
- Key
- F♯ Minor
- Camelot
- 11A
Pavane, Op. 50 - Gabriel Fauré, Rotterdam Philharmonic Orchestra, Jean Fournet Information
- Acousticness
- 93%
- Danceability
- 14%
- Energy
- 3%
- Instrumentalness
- 92%
- Liveness
- 16%
- Loudness
- 51%
- Speechiness
- 4%
- Valence
- 8%
- Popularity
- 50%
- Loudness
- -29.102 dB
Summary
"Pavane, Op. 50" by Gabriel Fauré, Rotterdam Philharmonic Orchestra, Jean Fournet was released on December 18, 2000. With this song being about 5 minutes long, at 5:15, "Pavane, Op. 50" by Gabriel Fauré, Rotterdam Philharmonic Orchestra, Jean Fournet is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 14 in Fauré: Requiem; Pavane; Pelléas et Mélisande by Gabriel Fauré, Elly Ameling, Bernard Kruysen, Jill Gomez, Netherlands Radio Chorus, Daniel Chorzempa, Rotterdam Philharmonic Orchestra, Jean Fournet, David Zinman. Pavane, Op. 50 is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Pavane, Op. 50 BPM
The tempo marking of Pavane, Op. 50 by Gabriel Fauré, Rotterdam Philharmonic Orchestra, Jean Fournet is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Pavane, Op. 50 Key
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Gnossiennes: No. 4 | Erik Satie, Jean-Yves Thibaudet | A Minor | 0 | 8A | 63 BPM | |
 | Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | |
 | Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | |
 | Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | |
 | Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM | |
 | Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | |
 | Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM | |
 | Fauré : Élégie in C minor, Op.24 | Gabriel Fauré, Roland Pidoux | A♭ Major | 0 | 4B | 92 BPM | |
 | Savior of the Nations, Come, BWV 659 (Arr. for 4 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Max Ruisi | C Major | 0 | 8B | 122 BPM | |
 | Waldszenen, Op. 82: I. Eintritt im Walde | Robert Schumann, Arcadi Volodos | B♭ Major | 0 | 6B | 113 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6449365615844727
End: 0.6483287811279297