Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths's 'Love's Labour's Lost, Op. 28a: III. Dumaine's Poem' came out on November 3, 1998. With Love's Labour's Lost, Op. 28a: III. Dumaine's Poem being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 14 in Finzi: Clarinet Concerto / Five Bagatelles / Three Soliloquies / Romance by Gerald Finzi, Howard Griffiths. In terms of popularity, Love's Labour's Lost, Op. 28a: III. Dumaine's Poem is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Love's Labour's Lost, Op. 28a: III. Dumaine's Poem by Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trombone Concerto in G Major: I. Adagio | Leopold Mozart, Alain Trudel, Royal Northern Sinfonia | G Major | 0 | 9B | 86 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Organ Concerto No. 1 In G Minor, Op. 4, No. 1, HWV 289: IV. Andante | George Frideric Handel, Royal Northern Sinfonia, Simon Lindley | F♯ Major | 2 | 2B | 124 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
The Banks of Green Willow | George Butterworth, Royal Liverpool Philharmonic Orchestra, Grant Llewellyn | A Minor | 0 | 8A | 71 BPM | ||
44 Duos for 2 Violins, BB 104, Vol. 1: Parosito (Teasing Song) | Béla Bartók, György Pauk, Kazuki Sawa | B Minor | 0 | 10A | 112 BPM | ||
Mozart: Requiem in D Minor, K. 626: II. Kyrie | Wolfgang Amadeus Mozart, Yvonne Kenny/Alfreda Hodgson/Arthur Davies/Gwynne Howell/London Symphony Chorus/Northern Sinfonia Chorus/Northern Sinfonia of England/Richard Hickox, London Symphony Chorus, Northern Sinfonia Chorus, Richard Hickox, Royal Northern Sinfonia | G Major | 2 | 9B | 84 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM |
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