"When Lilacs Last in the Dooryard Bloom'd: VIII. Sing On! You Gray-Brown Bird" by Paul Hindemith, Robert Shaw, Atlanta Symphony Orchestra, William Stone, Jan de Gaetani was released on March 1, 1987. When Lilacs Last in the Dooryard Bloom'd: VIII. Sing On! You Gray-Brown Bird appears to be safe for all ages as it is not explicit. The track order of this song in Paul Hindemith, Robert Shaw, William Stone, Jan de Gaetani, Atlanta Symphony Orchestra's "Hindemith: When Lilacs Last in the Dooryard Bloom'd" album is number 9 out of 12. On top of that, United States appears to be the country where this track was created. When Lilacs Last in the Dooryard Bloom'd: VIII. Sing On! You Gray-Brown Bird is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of When Lilacs Last in the Dooryard Bloom'd: VIII. Sing On! You Gray-Brown Bird by Paul Hindemith, Robert Shaw, Atlanta Symphony Orchestra, William Stone, Jan de Gaetani to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
Frühlingsglaube, D. 686 (Arr. A. Horn for Solo Piano) | Franz Schubert, Lara Downes | A♭ Major | 0 | 4B | 71 BPM | ||
From the Bohemian Forest, Op. 68, B. 133: V. Silent Woods (Arr. Niefind & Ribke For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 85 BPM | ||
Java Suite: Part I: I. Gamelan | Leopold Godowsky, Konstantin Scherbakov | D Minor | 0 | 7A | 88 BPM | ||
Marchenbilder (Fairy Tales), Op. 113: III. Rasch | Robert Schumann, Tabea Zimmermann, Hartmut Höll | F Major | 1 | 7B | 82 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä | B♭ Major | 1 | 6B | 87 BPM | ||
Der Schwanendreher · Konzert nach alten Volksliedern für Viola und kleines Orchester: III. Variationen über "Seid ihr nicht der Schwanendreher" | Paul Hindemith, Tabea Zimmermann, David Shallon, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | C Major | 1 | 8B | 90 BPM | ||
Viola Sonata, Op. 11, No. 5: I. Lebhaft, aber nicht geeilt | Paul Hindemith, Nobuko Imai | D♭ Major | 1 | 3B | 148 BPM | ||
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
Nipponari, H. 68 "Japanese Folk Songs": No. 6, Pohled nazpět | Bohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | F Minor | 1 | 4A | 83 BPM |
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