"Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino" by Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff was released on April 12, 2024. The duration of Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Gál: Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino and no other songs are present in the album, we classify this track as a single. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino by Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waldesruhe, Op. 68 No. 5 | Antonín Dvořák, Simon Velthuis, Daan Oostdam | B Minor | 0 | 10A | 75 BPM | ||
String Quartet in E-Flat Major, Op. 1 No. 0, Hob. II: 6: No. 3, Adagio | Joseph Haydn, Leipziger Streichquartett | C Major | 1 | 8B | 140 BPM | ||
Trois pièces: II. Sans vitesse e lʼaise | Nadia Boulanger, Janne Fredens, Søren Rastogi | A Minor | 0 | 8A | 103 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: III. Variations E-H, Strings. Brillante, alla polacca - Meno mosso - Cominciando lento ma poco a poco accelerando | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | B Major | 0 | 1B | 124 BPM | ||
4 Romantic Pieces, Op. 75: No. 4, Larghetto | Antonín Dvořák, Anthony Marwood, Susan Tomes | F Major | 1 | 7B | 141 BPM | ||
Harpsichord Concerto: I. Allegro | Manuel de Falla, Benjamin Alard, Pablo Heras-Casado, Mahler Chamber Orchestra | C Major | 0 | 8B | 140 BPM | ||
Hexapoda: No. 5, Till Dawn Sunday | Robert Russell Bennett, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM | ||
Clarinet Quintet in A Major, Op. 146: I. Moderato ed amabile | Max Reger, Kilian Herold, Armida Quartett | D♭ Major | 1 | 3B | 64 BPM | ||
Serenade for Clarinet, Violin & Cello, Op. 93: II. Burletta | Hans Gál, Ensemble Burletta | F♯ Minor | 1 | 11A | 89 BPM | ||
Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 1 | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 2 | 12B | 83 BPM |
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