Antonín Dvořák, Anthony Marwood, Susan Tomes's '4 Romantic Pieces, Op. 75: No. 4, Larghetto' came out on February 1, 1998. 4 Romantic Pieces, Op. 75: No. 4, Larghetto is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The song is number 9 out of 13 in Dvořák: Music for Violin & Piano – Sonata; Sonatina; 4 Romantic Pieces etc. by Antonín Dvořák, Anthony Marwood, Susan Tomes. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, 4 Romantic Pieces, Op. 75: No. 4, Larghetto's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 4 Romantic Pieces, Op. 75: No. 4, Larghetto by Antonín Dvořák, Anthony Marwood, Susan Tomes is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 1 in F Minor, Op. 6: II. (Adagio) | Alexander Scriabin, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
Bagatelles, Op. 47, B. 79: No. 5 in E Minor, Poco allegro | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | F♯ Minor | 8 | 11A | 130 BPM | ||
Nocturnes, Op. 32: I. Andante sostenuto (Arr. for Cello & Piano by Julian Riem) | Frédéric Chopin, Olga Scheps, Raphaela Gromes | E♭ Major | 1 | 5B | 170 BPM | ||
String Quartet No. 12 in F Major, Op. 96, B. 179 "American" (Arr. G. Braunstein for Flute Quartet): IV. Finale. Vivace ma non troppo | Antonín Dvořák, Gili Schwarzman, Guy Braunstein, Amihai Grosz, Alisa Weilerstein | D Minor | 1 | 7A | 80 BPM | ||
Grandes études de Paganini, S. 141: IV. Vivo in E Major "Arpeggio" (After Caprice No. 1) | Franz Liszt, Marc-André Hamelin | E Major | 1 | 12B | 92 BPM | ||
Ma mère l'oye, M. 60: V. Le jardin féerique | Maurice Ravel, Onyx Klavierduo | C Major | 0 | 8B | 105 BPM | ||
Mosaik, Op. 146: No. 20. Mit Sackpfeife und Tanzbar | Sigfrid Karg-Elert, Ernst Breidenbach | A Minor | 1 | 8A | 108 BPM | ||
Mendelssohn: 6 Lieder, Op. 1: No. 2 Wanderlied | Fanny Mendelssohn, Emmanuel Pahud, Eric Le Sage | D♭ Major | 1 | 3B | 91 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Stages. Variation IX | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Minor | 3 | 4A | 114 BPM | ||
8 Pieces for Clarinet, Viola and Piano, Op. 83: I. Andante | Max Bruch, Giovanni Punzi, Eva Katrine Dalsgaard, Tanja Zapolski | A Minor | 0 | 8A | 72 BPM |
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