Nocturnes, Op. 32: I. Andante sostenuto (Arr. for Cello & Piano by Julian Riem)
Frédéric Chopin, Olga Scheps, Raphaela Gromes
Chopin Nocturnes
5:00 May 10, 2024
BPM
170
Key
E♭ Major
Camelot
5B

Embed

Share Link

Nocturnes, Op. 32: I. Andante sostenuto (Arr. for Cello & Piano by Julian Riem) - Frédéric Chopin, Olga Scheps, Raphaela Gromes Information

Acousticness
99%
Danceability
17%
Energy
10%
Instrumentalness
94%
Liveness
11%
Loudness
67%
Speechiness
5%
Valence
7%
Popularity
Loudness
-19.699 dB

Summary

"Nocturnes, Op. 32: I. Andante sostenuto (Arr. for Cello & Piano by Julian Riem)" by Frédéric Chopin, Olga Scheps, Raphaela Gromes was released on May 10, 2024. With this song being about 5 minutes long, at 5:00, "Nocturnes, Op. 32: I. Andante sostenuto (Arr. for Cello & Piano by Julian Riem)" by Frédéric Chopin, Olga Scheps, Raphaela Gromes is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 6 in Chopin Nocturnes by Frédéric Chopin, Olga Scheps, Raphaela Gromes. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Nocturnes, Op. 32: I. Andante sostenuto (Arr. for Cello & Piano by Julian Riem) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Nocturnes, Op. 32: I. Andante sostenuto (Arr. for Cello & Piano by Julian Riem) BPM

The tempo marking of Nocturnes, Op. 32: I. Andante sostenuto (Arr. for Cello & Piano by Julian Riem) by Frédéric Chopin, Olga Scheps, Raphaela Gromes is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.

Nocturnes, Op. 32: I. Andante sostenuto (Arr. for Cello & Piano by Julian Riem) Key

E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Lyric Pieces, Book VII, Op. 62: No. 1, Sylph by Edvard Grieg, Andrey GugninLyric Pieces, Book VII, Op. 62: No. 1, SylphEdvard Grieg, Andrey GugninF♯ Major02B65 BPM
Myrthen, Op. 25: No. 24 - Du bist wie eine Blume by Robert Schumann, Pablo Ferrandez, Julien QuentinMyrthen, Op. 25: No. 24 - Du bist wie eine BlumeRobert Schumann, Pablo Ferrandez, Julien QuentinA♭ Major14B109 BPM
Sonata for Clarinet and Piano No. 1 in F Minor, Op. 120 No. 1: II. Andante un poco Adagio by Johannes Brahms, Nicolas Baldeyrou, Geoffroy CouteauSonata for Clarinet and Piano No. 1 in F Minor, Op. 120 No. 1: II. Andante un poco AdagioJohannes Brahms, Nicolas Baldeyrou, Geoffroy CouteauB♭ Major36B103 BPM
Sonata in A Major, Op. 14: II. Andante espressivo by Leopoldo Miguéz, Guilherme Andreas, Gianne Ge ZhuSonata in A Major, Op. 14: II. Andante espressivoLeopoldo Miguéz, Guilherme Andreas, Gianne Ge ZhuD Minor27A74 BPM
Violin Sonata No. 6 in G Minor, Op. 103: II. Andante sostenuto by Robert Fuchs, Hyejin Chung, Warren LeeViolin Sonata No. 6 in G Minor, Op. 103: II. Andante sostenutoRobert Fuchs, Hyejin Chung, Warren LeeE♭ Major15B86 BPM
6 Preludes and Fugues in Free Style, Op. 53: Prelude No. 6 in C Minor by Anton Rubinstein, Martin Cousin6 Preludes and Fugues in Free Style, Op. 53: Prelude No. 6 in C MinorAnton Rubinstein, Martin CousinA♭ Major04B70 BPM
Thaïs: Méditation (Arr. for String Ensemble by Kuan-Yu Huang and Mayumi Seiler) by Jules Massenet, Mayumi Seiler, Hee-Soo Yoon, Isabel Lago, Radia, Rachel Mercer, Joe Phillips, Ben AlbertsonThaïs: Méditation (Arr. for String Ensemble by Kuan-Yu Huang and Mayumi Seiler)Jules Massenet, Mayumi Seiler, Hee-Soo Yoon, Isabel Lago, Radia, Rachel Mercer, Joe Phillips, Ben AlbertsonA♭ Major14B142 BPM
Tristan und Isolde, WWV 90: VI, Brangänes Verzweiflung - Paraphrase for String Septet by Martina Trumpp by Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'AccordTristan und Isolde, WWV 90: VI, Brangänes Verzweiflung - Paraphrase for String Septet by Martina TrumppRichard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'AccordB Major21B85 BPM
Deux arabesques, L. 74 (Arr. For Cello And Piano By Olivier Hébert-Bouchard): Arabesque No. 1 In E Minor: Andantino con moto by Claude Debussy, Stéphane Tétreault, Olivier Hébert-BouchardDeux arabesques, L. 74 (Arr. For Cello And Piano By Olivier Hébert-Bouchard): Arabesque No. 1 In E Minor: Andantino con motoClaude Debussy, Stéphane Tétreault, Olivier Hébert-BouchardA Major211B99 BPM
Endless Serenity by Marco Risolino, Ludovico LeoneEndless SerenityMarco Risolino, Ludovico LeoneE Minor09A68 BPM
ISRC
DEE862400059
Label
L-M Records/RCA Records

Section: 0.5271346569061279

End: 0.5324344635009766