"Nocturnes, Op. 32: I. Andante sostenuto (Arr. for Cello & Piano by Julian Riem)" by Frédéric Chopin, Olga Scheps, Raphaela Gromes was released on May 10, 2024. With this song being about 5 minutes long, at 5:00, "Nocturnes, Op. 32: I. Andante sostenuto (Arr. for Cello & Piano by Julian Riem)" by Frédéric Chopin, Olga Scheps, Raphaela Gromes is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 6 in Chopin Nocturnes by Frédéric Chopin, Olga Scheps, Raphaela Gromes. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Nocturnes, Op. 32: I. Andante sostenuto (Arr. for Cello & Piano by Julian Riem) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nocturnes, Op. 32: I. Andante sostenuto (Arr. for Cello & Piano by Julian Riem) by Frédéric Chopin, Olga Scheps, Raphaela Gromes is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces, Book VII, Op. 62: No. 1, Sylph | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM | ||
Myrthen, Op. 25: No. 24 - Du bist wie eine Blume | Robert Schumann, Pablo Ferrandez, Julien Quentin | A♭ Major | 1 | 4B | 109 BPM | ||
Sonata for Clarinet and Piano No. 1 in F Minor, Op. 120 No. 1: II. Andante un poco Adagio | Johannes Brahms, Nicolas Baldeyrou, Geoffroy Couteau | B♭ Major | 3 | 6B | 103 BPM | ||
Sonata in A Major, Op. 14: II. Andante espressivo | Leopoldo Miguéz, Guilherme Andreas, Gianne Ge Zhu | D Minor | 2 | 7A | 74 BPM | ||
Violin Sonata No. 6 in G Minor, Op. 103: II. Andante sostenuto | Robert Fuchs, Hyejin Chung, Warren Lee | E♭ Major | 1 | 5B | 86 BPM | ||
6 Preludes and Fugues in Free Style, Op. 53: Prelude No. 6 in C Minor | Anton Rubinstein, Martin Cousin | A♭ Major | 0 | 4B | 70 BPM | ||
Thaïs: Méditation (Arr. for String Ensemble by Kuan-Yu Huang and Mayumi Seiler) | Jules Massenet, Mayumi Seiler, Hee-Soo Yoon, Isabel Lago, Radia, Rachel Mercer, Joe Phillips, Ben Albertson | A♭ Major | 1 | 4B | 142 BPM | ||
Tristan und Isolde, WWV 90: VI, Brangänes Verzweiflung - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Deux arabesques, L. 74 (Arr. For Cello And Piano By Olivier Hébert-Bouchard): Arabesque No. 1 In E Minor: Andantino con moto | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A Major | 2 | 11B | 99 BPM | ||
Endless Serenity | Marco Risolino, Ludovico Leone | E Minor | 0 | 9A | 68 BPM |
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