Act I: Celeste Aida - Giuseppe Verdi, Enrico Caruso Information

Acousticness
99%
Danceability
17%
Energy
24%
Instrumentalness
0%
Liveness
19%
Loudness
79%
Speechiness
4%
Valence
13%
Popularity
Loudness
-12.475 dB

Summary

"Act I: Celeste Aida" by Giuseppe Verdi, Enrico Caruso was released on 1990. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. The popularity of Act I: Celeste Aida is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Act I: Celeste Aida BPM

The tempo marking of Act I: Celeste Aida by Giuseppe Verdi, Enrico Caruso is Presto (very, very fast), since this song has a tempo of 181 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.

Act I: Celeste Aida Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna) by Franz Lehár, Karita Mattila, London Philharmonic Orchestra, Yutaka SadoLehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna)Franz Lehár, Karita Mattila, London Philharmonic Orchestra, Yutaka SadoG Major19B176 BPM
Péchés de vieillesse / Vol. III: Tirana pour deux voix (Les amants de Séville) by Gioachino Rossini, Rolando Villazón, Cecilia Bartoli, Orchestra del Maggio Musicale Fiorentino, Marco ArmiliatoPéchés de vieillesse / Vol. III: Tirana pour deux voix (Les amants de Séville)Gioachino Rossini, Rolando Villazón, Cecilia Bartoli, Orchestra del Maggio Musicale Fiorentino, Marco ArmiliatoD Minor27A94 BPM
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 by London Festival Orchestra Alfred ScholzCarmen, Opera Suite No. 1: V. Seguedille, Act 1London Festival Orchestra Alfred ScholzD Major010B92 BPM
La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Zweiter Akt: - Mir zu folgen, gab ich ihm ein Zeichen [Invitato A Qui Seguirmi] by Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Anneliese Müller/Karl Christian Kohn/Manfred Schmidt /Josef Metternich/Wilhelm Lang/Chor Der Deutschen Staatsoper/Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter/Rudolf Schock/Walter Stoll, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper BerlinLa Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Zweiter Akt: - Mir zu folgen, gab ich ihm ein Zeichen [Invitato A Qui Seguirmi]Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Anneliese Müller/Karl Christian Kohn/Manfred Schmidt /Josef Metternich/Wilhelm Lang/Chor Der Deutschen Staatsoper/Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter/Rudolf Schock/Walter Stoll, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper BerlinA♭ Minor31A76 BPM
Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) by Renato Cellini, Robert ShawNabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves)Renato Cellini, Robert ShawA♭ Major14B168 BPM
Les Contes d'Hoffmann / Act 2: Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour"Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard BonyngeD Major110B82 BPM
L'ultima canzone by Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero GambaL'ultima canzoneFrancesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero GambaD Major210B72 BPM
Tosca / Act 3: Tosca / Act 3: "E lucevan le stelle"Giacomo Puccini, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco ArmiliatoB Minor210A90 BPM
Nabucco: Chorus of the Hebrew Slaves, Nabucco: Chorus of the Hebrew Slaves, "Va pensiero, sull'ali dorate"London Philharmonic OrchestraD♭ Major13B124 BPM
La traviata / Act 3: La traviata / Act 3: "Prendi, quest'è l'immagine"Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Thomas Hampson, Diane Pilcher, Luigi Roni, Wiener Philharmoniker, Carlo RizziD♭ Minor112A87 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7716715335845947

End: 0.7764530181884766