Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Anneliese Müller/Karl Christian Kohn/Manfred Schmidt /Josef Metternich/Wilhelm Lang/Chor Der Deutschen Staatsoper/Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter/Rudolf Schock/Walter Stoll, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin's 'La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Zweiter Akt: - Mir zu folgen, gab ich ihm ein Zeichen [Invitato A Qui Seguirmi]' came out on December 7, 2012. The duration of La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Zweiter Akt: - Mir zu folgen, gab ich ihm ein Zeichen [Invitato A Qui Seguirmi] is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Zweiter Akt: - Mir zu folgen, gab ich ihm ein Zeichen [Invitato A Qui Seguirmi]'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi auf Deutsch: La Traviata by Giuseppe Verdi, Francesco Maria Piave, Josef Metternich/Melitta Muszely. The song's track number on the album is #16 out of 25 tracks. La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Zweiter Akt: - Mir zu folgen, gab ich ihm ein Zeichen [Invitato A Qui Seguirmi] is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Zweiter Akt: - Mir zu folgen, gab ich ihm ein Zeichen [Invitato A Qui Seguirmi] by Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Anneliese Müller/Karl Christian Kohn/Manfred Schmidt /Josef Metternich/Wilhelm Lang/Chor Der Deutschen Staatsoper/Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter/Rudolf Schock/Walter Stoll, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Zweiter Akt: - Mir zu folgen, gab ich ihm ein Zeichen [Invitato A Qui Seguirmi] being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Bacio | Luigi Arditi, Olga Peretyatko, Enrique Mazzola | D Major | 1 | 10B | 96 BPM | ||
Il barbiere di Siviglia, Act I, No. 5: Una voce poco fa | Gioachino Rossini, Pretty Yende, Marco Armiliato | E Major | 1 | 12B | 104 BPM | ||
La Cenerentola / Act 2: "Siete voi?..." - "Questo è un nodo avviluppato" | Gioachino Rossini, Luigi Alva, Teresa Berganza, Laura Zannini, Margherita Guglielmi, Renato Capecchi, Paolo Montarsolo, London Symphony Orchestra, Claudio Abbado | E Minor | 0 | 9A | 89 BPM | ||
Delibes: Lakmé, Act II: "Par les dieux inspirés" - Air des clochettes. "Où va la jeune hindoue" (Lakmé, Nilakantha, Chorus) | Léo Delibes, Natalie Dessay, Choeur Du Capitole De Toulouse, José van Dam, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 1 | 11B | 124 BPM | ||
The Queen of Spades, Op. 68, Act II: Ya vas liubliu (I Love You) | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 96 BPM | ||
Simon Boccanegra, Prologue: Che Dicesti? | Francesco Maria Piave, Boris Christoff, Gabriele Santini, Giuseppe Campora, Giuseppe Conca, Orchestra Del Teatro Dell'Opera Di Roma, Paolo Caroli, Paolo Dari, Sylvia Bertona, Tito Gobbi, Victoria de los Ángeles, Walter Monachesi | E Major | 4 | 12B | 129 BPM | ||
Carmen (1997 - Remaster), Act I: Avec la garde montante | Georges Bizet, Nicolai Gedda, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 1 | 7A | 122 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act I: "Va! pour Kleinzach" (Hoffmann, Nathanaël, Chorus) | Jacques Offenbach, Michael Spyres, Choeur de l'Opéra national du Rhin, Mario Montalbano, Marko Letonja, Orchestre Philharmonique De Strasbourg | G Major | 0 | 9B | 107 BPM | ||
Simon Boccanegra, Act I: Introduction | Tito Gobbi, Victoria de los Ángeles, Boris Christoff, Giuseppe Campora, Walter Monachesi, Paolo Caroli, Paolo Dari, Sylvia Bertona, Orchestra Del Teatro Dell'Opera Di Roma, Giuseppe Conca, Gabriele Santini | E♭ Major | 3 | 5B | 87 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM |
Section: 0.751291036605835
End: 0.7571780681610107