"Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves)" by Renato Cellini, Robert Shaw was released on 1908. With this song being about 5 minutes long, at 4:51, "Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves)" by Renato Cellini, Robert Shaw is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi Greatest Hits by Various Artists. The song's track number on the album is #2 out of 16 tracks. Based on our data, United States was the country where this track was produced or recorded. The popularity of Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) by Renato Cellini, Robert Shaw has a tempo of 168 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) being at 168 BPM, the half-time would be 84 BPM with a double-time of 336 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ebben? Ne andro lontano | Alfredo Catalani, Eva Marton, Pinchas Steinberg | E Minor | 1 | 9A | 86 BPM | ||
Requiem, Op. 48: VII. In Paradisum | Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra | D Major | 1 | 10B | 99 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Barcarole | André Rieu, Johann Strauss Orchestra | D Major | 3 | 10B | 88 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido) | Henry Purcell, William Christie, Véronique Gens, Les Arts Florissants | F♯ Minor | 0 | 11A | 80 BPM | ||
Il volo del calabrone | Metropolitan Symphony Orchestra, Leonard Mandell | A Minor | 3 | 8A | 75 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
Requiem, Op. 9: III. Domine Jesu Christe | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | D♭ Minor | 0 | 12A | 77 BPM | ||
Hasse: Sanctus Petrus et Sancta Maria Magdalena: "Mea tormenta, properate!" | Johann Adolf Hasse, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D Major | 3 | 10B | 75 BPM | ||
The Creation, Hob. XXI:2, Pt. 1: No. 4, What Wonder Doth His Work Reveal | Joseph Haydn, Robert Shaw, Atlanta Symphony Orchestra, Dawn Upshaw | B♭ Major | 3 | 6B | 110 BPM |
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