"Hasse: Sanctus Petrus et Sancta Maria Magdalena: "Mea tormenta, properate!"" by Johann Adolf Hasse, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro was released on October 26, 2018. Since Hasse: Sanctus Petrus et Sancta Maria Magdalena: "Mea tormenta, properate!" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 21 out of 23 in Anima Sacra by Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Hasse: Sanctus Petrus et Sancta Maria Magdalena: "Mea tormenta, properate!" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hasse: Sanctus Petrus et Sancta Maria Magdalena: "Mea tormenta, properate!" by Johann Adolf Hasse, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Zelenka: Gesù al Calvario, ZWV 62: "S'una sol lagrima" | Jan Dismas Zelenka, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | B Minor | 1 | 10A | 91 BPM | ||
Conti: Don Chisciotte in Sierra Morena, Act 4: "Odio, vendetta, amore" (Fernando) | Francesco Bartolomeo Conti, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | B Major | 3 | 1B | 125 BPM | ||
Durante: Messa a 5 voci: "Domine Fili unigenite" | Francesco Durante, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D♭ Major | 2 | 3B | 117 BPM | ||
Magnificat in D Major, BWV 243: I. Magnificat anima mea Dominum | Johann Sebastian Bach, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | A Minor | 2 | 8A | 137 BPM | ||
L‘Ernelinda: "Sorge talora fosca l'aurora" | Leonardo Vinci, Franco Fagioli, Il Pomo D'oro, Zefira Valova | A♭ Major | 4 | 4B | 69 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Les Indes galantes, RCT 44, Act III: Forêts paisibles | Jean-Philippe Rameau, Chantal Santon Jeffery, Jean-Sébastien Bou, Orfeo Orchestra, Purcell Choir, Gyorgy Vashegyi | F♯ Minor | 3 | 11A | 112 BPM | ||
Mille regretz | Josquin des Prez, Stile Antico | F♯ Minor | 1 | 11A | 86 BPM | ||
Czyż: Pożegnania: No. 1, Kochałem Panią | Henryk Czyz, Jakub Józef Orliński, Michał Biel | D♭ Minor | 3 | 12A | 71 BPM |
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