Jean-Philippe Rameau, Chantal Santon Jeffery, Jean-Sébastien Bou, Orfeo Orchestra, Purcell Choir, Gyorgy Vashegyi's 'Les Indes galantes, RCT 44, Act III: Forêts paisibles' came out on April 5, 2019. The duration of Les Indes galantes, RCT 44, Act III: Forêts paisibles is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Les Indes galantes, RCT 44, Act III: Forêts paisibles's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Philippe Rameau, Chantal Santon Jeffery, Katherine Watson, Jean-Sébastien Bou, Gyorgy Vashegyi's "Les Indes Galantes" album is number 40 out of 79. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Les Indes galantes, RCT 44, Act III: Forêts paisibles is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Indes galantes, RCT 44, Act III: Forêts paisibles by Jean-Philippe Rameau, Chantal Santon Jeffery, Jean-Sébastien Bou, Orfeo Orchestra, Purcell Choir, Gyorgy Vashegyi to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Delibes: Lakmé, Act 3: "Tu m'as donné le plus doux rêve" (Lakmé) | Léo Delibes, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Major | 0 | 11B | 89 BPM | ||
Grande Messe en ut mineur, K. 427: Gloria | Wolfgang Amadeus Mozart, Orchestre & Chorale Paul Kuentz, Barbara Schlick, Mechthild Georg, Alexander Stevenson, Philip Langshaw | C Major | 2 | 8B | 90 BPM | ||
Zelenka: Laetatus sum, ZWV 90: V. Gloria. Adagio | Jan Dismas Zelenka, Jakub Józef Orliński, Fatma Said, Francesco Corti, Il Pomo D'oro | B♭ Minor | 3 | 3A | 66 BPM | ||
Les Indes Galantes - Ouverture | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | A♭ Minor | 4 | 1A | 141 BPM | ||
Fauré: 3 Songs, Op. 7: No. 1, Après un rêve | Gabriel Fauré, Sabine Devieilhe, Alexandre Tharaud | G Minor | 1 | 6A | 166 BPM | ||
Missa Tempore Quadragesimae, MH 553: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 1 | 9B | 73 BPM | ||
Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": "Forêts paisibles" (Zima, Adario, Sauvages) | Jean-Philippe Rameau, Sabine Devieilhe, Aimery Lefèvre, Le Jeune Choeur de Paris, Alexis Kossenko, Les Ambassadeurs | F♯ Minor | 3 | 11A | 85 BPM | ||
Carmen, WD 31 / Act 1: Bizet: Carmen, WD 31: Près des remparts de Séville | Georges Bizet, Gaëlle Arquez, Orchestre National Bordeaux Aquitaine, Paul Daniel | D Major | 0 | 10B | 175 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
Hippolyte et Aricie / Act 2: Duo: "Contente-toi d'une victime!" | Jean-Philippe Rameau, Russell Smythe, Luc Coadou, Les Musiciens du Louvre, Marc Minkowski | E♭ Major | 4 | 5B | 147 BPM |
Section: 0.6342155933380127
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