"Fauré: 3 Songs, Op. 7: No. 1, Après un rêve" by Gabriel Fauré, Sabine Devieilhe, Alexandre Tharaud was released on September 11, 2020. The duration of Fauré: 3 Songs, Op. 7: No. 1, Après un rêve is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Fauré: 3 Songs, Op. 7: No. 1, Après un rêve's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 29 in Chanson d'Amour by Sabine Devieilhe, Alexandre Tharaud. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Fauré: 3 Songs, Op. 7: No. 1, Après un rêve is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fauré: 3 Songs, Op. 7: No. 1, Après un rêve by Gabriel Fauré, Sabine Devieilhe, Alexandre Tharaud is Vivace (lively and fast), since this song has a tempo of 166 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giulio Cesare, 'Julius Caesar' HWV17, ACT 1: Son nata a lagrimar | George Frideric Handel, John Nelson/Emmanuelle Haïm/Stephanie Blythe/David Daniels/Martin Isepp/Ensemble Orchestral de Paris, John Nelson | E Minor | 1 | 9A | 82 BPM | ||
Ravel: Chants populaires, M. A 17: No. 2, Chanson française | Maurice Ravel, Sabine Devieilhe, Alexandre Tharaud | C Major | 1 | 8B | 92 BPM | ||
Delibes: Lakmé, Act 3: "Tu m'as donné le plus doux rêve" (Lakmé) | Léo Delibes, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Major | 0 | 11B | 89 BPM | ||
Le nozze di Figaro, K. 492 / Act 2: "Voi che sapete" - "Bravo! che bella voce!" | Wolfgang Amadeus Mozart, Frederica von Stade, Kiri Te Kanawa, Lucia Popp, London Philharmonic Orchestra, Sir Georg Solti | B♭ Major | 0 | 6B | 95 BPM | ||
Delage: 4 poèmes hindous: III. Bénarès | Maurice Delage, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Minor | 1 | 8A | 64 BPM | ||
Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | ||
Fauré: Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Jean Racine, Traditional, Sølvguttene, Fredrik Otterstad | D♭ Major | 0 | 3B | 91 BPM | ||
Fauré: Requiem, Op. 48: III. Sanctus | Gabriel Fauré, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | E♭ Major | 0 | 5B | 66 BPM | ||
Aria de la Pastorale en ut mineur BWV 590 | Johann Sebastian Bach, Alexandre Tharaud | F Minor | 1 | 4A | 123 BPM | ||
Dido and Aeneas / Act III: "Thy Hand, Belinda...When I Am Laid in Earth" | Henry Purcell, Anne Sofie von Otter, The English Concert, Trevor Pinnock | G Minor | 1 | 6A | 82 BPM |
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