"Delibes: Lakmé, Act 3: "Tu m'as donné le plus doux rêve" (Lakmé)" by Léo Delibes, Sabine Devieilhe, François-Xavier Roth, Les Siècles was released on November 10, 2017. The duration of Delibes: Lakmé, Act 3: "Tu m'as donné le plus doux rêve" (Lakmé) is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Delibes: Lakmé, Act 3: "Tu m'as donné le plus doux rêve" (Lakmé)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sabine Devieilhe's "Mirages" album is number 15 out of 15. Delibes: Lakmé, Act 3: "Tu m'as donné le plus doux rêve" (Lakmé) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Delibes: Lakmé, Act 3: "Tu m'as donné le plus doux rêve" (Lakmé) by Léo Delibes, Sabine Devieilhe, François-Xavier Roth, Les Siècles to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 1, Aria. "Jauchzet Gott in allen Landen" | Johann Sebastian Bach, Sabine Devieilhe, Raphael Pichon | B Major | 4 | 1B | 89 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | ||
Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | C Major | 2 | 8B | 138 BPM | ||
Debussy: La Romance d'Ariel, L. 54 | Claude Debussy, Sabine Devieilhe | F Minor | 1 | 4A | 78 BPM | ||
Bach, JS: Schemellis Musicalisches Gesang-Buch: Mein Jesu! Was vor Seelenweh, BWV 487 | Johann Sebastian Bach, Sabine Devieilhe, Ensemble Pygmalion, Raphael Pichon | A♭ Major | 4 | 4B | 104 BPM | ||
Il barbiere di Siviglia / Act 1: Una voce poco fa | Gioachino Rossini, Kathleen Battle, Chamber Orchestra of Europe, Claudio Abbado | E Major | 0 | 12B | 113 BPM | ||
Schubert: Gretchen am Spinnrade, Op. 2, D. 118 | Franz Schubert, Barbara Bonney, Geoffrey Parsons | D Minor | 1 | 7A | 74 BPM | ||
Le Comte Ory, Act I, Scene VIII, No. 4: En proie à la tristesse... Vous que l'on dit sensible... Céleste providence | Gioachino Rossini, Pretty Yende, Marco Armiliato | E♭ Major | 2 | 5B | 88 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Mefistofele / Act III: "L'altra notte in fondo al mare" | Arrigo Boito, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 0 | 8B | 78 BPM |
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