"Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès)" by Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris was released on 1964. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 39 in Bizet: Carmen by Georges Bizet, Maria Callas, Georges Prêtre. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) by Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Faust, CG 4 / Act 3: "Quel trouble inconnu...Salut! Demeure chaste et pure" | Charles Gounod, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 2 | 4B | 174 BPM | ||
Verdi: La forza del destino, Act 4 Scene 6: No. 17, Melodia, "Pace, pace, mio Dio!" (Leonora) | Giuseppe Verdi, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | E♭ Major | 1 | 5B | 81 BPM | ||
Verdi: La traviata, Act 1: "Ah, fors'è lui" (Violetta) | Giuseppe Verdi, Maria Callas, Gabriele Santini, Orchestra Sinfonica della RAI | F Major | 1 | 7B | 86 BPM | ||
Massenet: Werther, Act 3: "Pourquoi me réveiller" | Jules Massenet, Kent Nagano, Anne Sofie von Otter, Jerry Hadley, Orchestre de l'Opéra de Lyon | A♭ Major | 0 | 4B | 181 BPM | ||
Iphigénie en Tauride (1997 - Remaster): O malheureuse Iphigénie! | Christoph Willibald Gluck, Georges Prêtre, Maria Callas, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 2 | 4B | 82 BPM | ||
Bizet: Carmen, WD 31, Act 2: Récit. "Pourquoi nous as-tu fait signe de ne pas les suivre ?" - Quintette. "Nous avons en tête une affaire" (Mercédès, Frasquita, Le Dancaïre, Le Remendado, Carmen) | Georges Bizet, André Cluytens, Frédéric Leprin, Germaine Chellet, Jean Vieuille, Raymonde Notti, Solange Michel, Orchestre Du Theatre National De L'Opera Comique | F♯ Major | 2 | 2B | 84 BPM | ||
Schubert: Auf dem Wasser zu singen, Op. 72, D. 774 | Franz Schubert, Barbara Bonney, Geoffrey Parsons | A♭ Minor | 1 | 1A | 74 BPM | ||
Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | ||
Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek | F Major | 4 | 7B | 89 BPM |
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