Johann Sebastian Bach, Sabine Devieilhe, Ensemble Pygmalion, Raphael Pichon made "Bach, JS: Schemellis Musicalisches Gesang-Buch: Mein Jesu! Was vor Seelenweh, BWV 487" available on December 15, 2023. The duration of Bach, JS: Schemellis Musicalisches Gesang-Buch: Mein Jesu! Was vor Seelenweh, BWV 487 is about 3 minutes long, at 3:11. Based on our data, "Bach, JS: Schemellis Musicalisches Gesang-Buch: Mein Jesu! Was vor Seelenweh, BWV 487" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 37 out of 50 in Bach: Masterpieces by Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bach, JS: Schemellis Musicalisches Gesang-Buch: Mein Jesu! Was vor Seelenweh, BWV 487 is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bach, JS: Schemellis Musicalisches Gesang-Buch: Mein Jesu! Was vor Seelenweh, BWV 487 by Johann Sebastian Bach, Sabine Devieilhe, Ensemble Pygmalion, Raphael Pichon is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: II. Christe | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | F Minor | 0 | 4A | 149 BPM | ||
Atys, LWV 53, Acte III, Scène 4: Prélude. "Dormons, dormons tous" (Le Sommeil) | Jean-Baptiste Lully, Gilles Ragon, Jean-Paul Fouchécourt, Bernard Deletré, Michel Laplénie, Les Arts Florissants, William Christie | F♯ Minor | 0 | 11A | 100 BPM | ||
Bach, JS: St John Passion, BWV 245, Part 1: No. 1 "Herr, unser Herrscher" (Chorus) | Johann Sebastian Bach, Marc Minkowski, Les Musiciens du Louvre | B Minor | 1 | 10A | 123 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | C Major | 3 | 8B | 118 BPM | ||
Viola Concerto in G Major, TWV 51:G9: Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Antoine Tamestit, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 1 | 2B | 104 BPM | ||
Symphony in A Major, J-C 62: I. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 3 | 4B | 119 BPM | ||
Cavalli: La Calisto, Act 1: "Piante ombrose" | Francesco Cavalli, Joyce DiDonato, Maxim Emelyanychev | C Minor | 1 | 5A | 137 BPM | ||
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Romance: "Der Vollmond strahlt auf Bergeshöh'n" | Franz Schubert, Elly Ameling, Gewandhausorchester Leipzig, Kurt Masur | F Major | 0 | 7B | 76 BPM | ||
Dido and Aeneas / Act III: "Thy Hand, Belinda...When I Am Laid in Earth" | Henry Purcell, Anne Sofie von Otter, The English Concert, Trevor Pinnock | G Minor | 1 | 6A | 82 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act II: "Se pietà di me non senti" (Cleopatra) | George Frideric Handel, Sabine Devieilhe, Raphael Pichon | F Minor | 2 | 4A | 83 BPM |
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