Georg Philipp Telemann, Antoine Tamestit, Akademie für Alte Musik Berlin, Bernhard Forck's 'Viola Concerto in G Major, TWV 51:G9: Viola Concerto in G Major, TWV 51:G9: I. Largo' came out on January 7, 2022. The duration of Viola Concerto in G Major, TWV 51:G9: Viola Concerto in G Major, TWV 51:G9: I. Largo is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Viola Concerto in G Major, TWV 51:G9: Viola Concerto in G Major, TWV 51:G9: I. Largo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Georg Philipp Telemann, Antoine Tamestit, Akademie für Alte Musik Berlin, Sabine Fehlandt, Bernhard Forck's "Georg Philipp Telemann: Viola Concertos - Overtures - Fantasias" album is number 8 out of 33. On top of that, France appears to be the country where this track was created. In terms of popularity, Viola Concerto in G Major, TWV 51:G9: Viola Concerto in G Major, TWV 51:G9: I. Largo is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Viola Concerto in G Major, TWV 51:G9: Viola Concerto in G Major, TWV 51:G9: I. Largo by Georg Philipp Telemann, Antoine Tamestit, Akademie für Alte Musik Berlin, Bernhard Forck to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in E Major, Kk. 135 (L. 224): Allegro | Domenico Scarlatti, Ivo Pogorelich | E Major | 1 | 12B | 181 BPM | ||
Norma, Act I, Scene 1: Air de Norma "Casta Diva" (Arr. for Piano & Viola) | Vincenzo Bellini, Antoine Tamestit, Cédric Tiberghien | F Major | 0 | 7B | 141 BPM | ||
Symphony in D Major, J-C 16: II. Andante sempre piano | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | B♭ Minor | 1 | 3A | 106 BPM | ||
Oboe Concerto in A Minor: I. Adagio | Domenico Elmi, Albrecht Mayer, Luca Pianca, Andrea Zucco, I Musici | A Minor | 1 | 8A | 81 BPM | ||
Concerto 4 in F Major, Op. 7: I. Allegro moderato | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 3 | 12A | 95 BPM | ||
Symphony No. 4 in F Major, Op. 2, "Shepherd's Lottery": II. Vivace ma non troppo | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 118 BPM | ||
Sonata Quinta in E Minor: III. Largo | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | B♭ Minor | 0 | 3A | 121 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Ton Koopman, Monica Huggett, Alison Bury, Amsterdam Baroque Orchestra | D♭ Minor | 3 | 12A | 102 BPM | ||
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | B Major | 2 | 1B | 83 BPM | ||
Concerto Grosso No. 1 in A Major (after D. Scarlatti): I. Adagio | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 81 BPM |
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