- BPM
- 118
- Key
- C Major
- Camelot
- 8B
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie - Gioachino Rossini, Marcus Creed, RIAS Kammerchor Information
- Acousticness
- 99%
- Danceability
- 26%
- Energy
- 26%
- Instrumentalness
- 95%
- Liveness
- 12%
- Loudness
- 76%
- Speechiness
- 4%
- Valence
- 20%
- Popularity
- 33%
- Loudness
- -14.45 dB
Summary
Gioachino Rossini, Marcus Creed, RIAS Kammerchor's 'Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie' came out on 2001. The duration of Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Rossini: Petite messe solennelle". In this album, this song's track order is #1. In terms of popularity, Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie BPM
With Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie by Gioachino Rossini, Marcus Creed, RIAS Kammerchor having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie Key
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
![Zigeunermelodien, Op. 55, B. 104: Zigeunermelodien (Gypsy Melodies), Op. 55: No. 4, Songs my Mother taught me [Sung in German] by Antonín Dvořák, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda](https://i.scdn.co/image/ab67616d00001e026dd33ceae26466d0243ab588) | Zigeunermelodien, Op. 55, B. 104: Zigeunermelodien (Gypsy Melodies), Op. 55: No. 4, Songs my Mother taught me [Sung in German] | Antonín Dvořák, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | B♭ Major | 1 | 6B | 111 BPM | |
 | Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | |
 | Requiem in D minor, K.626: 2. Kyrie (II) | Wolfgang Amadeus Mozart, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | C Major | 3 | 8B | 92 BPM | |
 | Messe en mi mineur: Messe en mi mineur: Kyrie. Feierlich | Anton Bruckner, Collegium Vocale Gent, Ensemble Musique Oblique, Philippe Herreweghe, La Chapelle Royale | E Minor | 0 | 9A | 74 BPM | |
 | Otello, ossia Il moro di Venezia: Act III: Scene, Air, Duet and Finale III: Ah!… Dagli affanni oppressa (Desdemona, Emilia) | Gioachino Rossini, Michael Spyres, Jessica Pratt, Ugo Guagliardo, Filippo Adami, Giorgio Trucco, Geraldine Chauvet, Sean Spyres, Hugo Colin, Leonardo Cortellazzi, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Antonino Fogliani | D Major | 7 | 10B | 100 BPM | |
 | Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | |
 | Dieu, qu'il l'a fait bon regarder | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | A♭ Minor | 0 | 1A | 85 BPM | |
 | Polifemo: Alto giove (Air d'Acio) - Instrumental Version | Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin | E♭ Minor | 0 | 2A | 141 BPM | |
 | L'elisir d'amore / Act 2: "Una furtiva lagrima...Eccola!" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | F Minor | 1 | 4A | 175 BPM | |
 | Prince Igor, Act II: Polovtsian Dances, Dance II | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | A Major | 1 | 11B | 75 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6417584419250488
End: 0.6457424163818359