"Requiem, Op. 9: III. Domine Jesu Christe" by Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra was released on June 1, 1987. Since Requiem, Op. 9: III. Domine Jesu Christe is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 16 in Fauré: Requiem, Op. 48 - Duruflé: Requiem, Op. 9 by Robert Shaw, Atlanta Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Requiem, Op. 9: III. Domine Jesu Christe is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 9: III. Domine Jesu Christe by Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 9: IV. Sanctus | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | B♭ Major | 0 | 6B | 131 BPM | ||
Burial Sentences: I. I Am The Resurrection | Thomas Tomkins, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 1 | 4A | 72 BPM | ||
Gloria in D Major, RV 589: IX. Qui tollis | Antonio Vivaldi, Atlanta Symphony Orchestra, Robert Shaw, Atlanta Symphony Orchestra Chamber Chorus | E Minor | 2 | 9A | 128 BPM | ||
Three Madrigals: I. O Mistress mine, where are you roaming? | Emma Lou Diemer, Ames Chamber Artists | A♭ Minor | 0 | 1A | 85 BPM | ||
Missa Pontificalis: Benedictus | Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti | F Major | 0 | 7B | 144 BPM | ||
4 Shakespeare Songs: No. 2. Lullaby | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | F♯ Major | 1 | 2B | 130 BPM | ||
Hymn to the Eternal Flame (From to Be Certain of the Dawn) | The Singers - Minnesota Choral Artists, Matthew Culloton | D♭ Major | 1 | 3B | 169 BPM | ||
Quattro pezzi sacri: No. 1, Ave Maria | Giuseppe Verdi, Robert Shaw, Atlanta Symphony Orchestra | C Major | 0 | 8B | 131 BPM | ||
Magnificat in D Major | Herbert Brewer, Gloucester Cathedral Choir, Mark Lee, John Sanders | F Major | 0 | 7B | 140 BPM | ||
A Golden Day | Patrick Vu | B♭ Major | 1 | 6B | 90 BPM |
Section: 0.6973991394042969
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