"Hymn to the Eternal Flame (From to Be Certain of the Dawn)" by The Singers - Minnesota Choral Artists, Matthew Culloton was released on January 1, 2007. The duration of Hymn to the Eternal Flame (From to Be Certain of the Dawn) is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Hymn to the Eternal Flame (From to Be Certain of the Dawn)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Splendid Jewel: Choral Music of Stephen Paulus". In this album, this song's track order is #12. The popularity of Hymn to the Eternal Flame (From to Be Certain of the Dawn) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hymn to the Eternal Flame (From to Be Certain of the Dawn) by The Singers - Minnesota Choral Artists, Matthew Culloton having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day | Gerald Finzi, Finzi Singers, Paul Spicer | A Minor | 1 | 8A | 121 BPM | ||
Love Is Come Again | The Monteverdi Choir, John Eliot Gardiner | F Major | 2 | 7B | 78 BPM | ||
Canticle of Praise | The Singers - Minnesota Choral Artists | F Major | 1 | 7B | 136 BPM | ||
3 Nocturnes: No. 3. Lullaby | Daniel Elder, Westminster Choir, John Hudson, Joe Miller | E Major | 1 | 12B | 70 BPM | ||
3 Nocturnes: No. 1. Ballade to the Moon | Daniel Elder, Westminster Choir, John Hudson, Joe Miller | E Major | 0 | 12B | 66 BPM | ||
Das ist der Tag des Herrn | Friedrich Wilhelm Kücken, ffortissibros, Benedikt Kantert | A Major | 1 | 11B | 112 BPM | ||
Ave Rosa | The Singers - Minnesota Choral Artists | E Minor | 1 | 9A | 83 BPM | ||
Zion's Walls | Aaron Copland, The Smith Ensemble | F Major | 2 | 7B | 86 BPM | ||
The Three Hermits: Pilgrims' Hymn | Stephen Paulus, Westminster Williamson Voices, James Jordan | G Major | 0 | 9B | 134 BPM | ||
Passion Week, Op. 58: II. I See Thy Bridal Chamber | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Minor | 1 | 1A | 70 BPM |
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