"Magnificat in D Major" by Herbert Brewer, Gloucester Cathedral Choir, Mark Lee, John Sanders was released on October 11, 1994. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gloucester Cathedral Choir, Mark Lee, John Sanders's "Magnificat & Nunc dimittis, Vol. 1" album is number 1 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Magnificat in D Major's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Magnificat in D Major by Herbert Brewer, Gloucester Cathedral Choir, Mark Lee, John Sanders to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
At the Lamb's High Feast We Sing | Jacob Hintze, Durham Cathedral Choir, David Ratnanayagam, James Lancelot | F Major | 3 | 7B | 89 BPM | ||
And I Saw a New Heaven | Edgar Leslie Bainton, The Choir of The Queen's College Oxford, Rebecca Baker, Owen Rees | G Major | 1 | 9B | 75 BPM | ||
Franconia "Blest Are the Pure in Heart" | Johann Georg Ebeling, Johann Balthasar Konig, The Chapel Choir of Selwyn College, Cambridge, Timothy Morgan, Daveth Clark, Sarah MacDonald | A Major | 0 | 11B | 80 BPM | ||
Wesley: What Shall I Do My God to Love (Jerusalem) - 1. What Shall I Do My God to Love | Methodist Central Hall Choir, Westminster, John Chapman | A Major | 3 | 11B | 178 BPM | ||
Mass in D Major, Op. 86 / Credo: IIIe. Credo in Spiritum Sanctum | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Major | 1 | 9B | 136 BPM | ||
Love divine, all loves excelling (Blaenwern) | William P. Rowlands, York Minster Choir, Philip Moore | F♯ Major | 3 | 2B | 80 BPM | ||
Burial Service: I am the resurrection | William Croft, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | D♭ Minor | 2 | 12A | 83 BPM | ||
Hail, Queen of Heaven | The Palestrina Choir, Blanaid Murphy | D♭ Minor | 0 | 12A | 87 BPM | ||
I Owe My Lord a Morning Song | John Bell, The Cathedral Singers | D Major | 2 | 10B | 126 BPM | ||
2 Choral songs, Op. 73: No. 2. Serenade | Edward Elgar, Cambridge University Chamber Choir, Christopher Robinson | G Major | 1 | 9B | 75 BPM |
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