Methodist Central Hall Choir, Westminster, John Chapman made "Wesley: What Shall I Do My God to Love (Jerusalem) - 1. What Shall I Do My God to Love" available on January 1, 1985. With Wesley: What Shall I Do My God to Love (Jerusalem) - 1. What Shall I Do My God to Love being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 67 out of 89 in Charles Wesley - 20 Favourite Hymns by Methodist Central Hall Choir, Westminster, John Chapman. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Wesley: What Shall I Do My God to Love (Jerusalem) - 1. What Shall I Do My God to Love is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Wesley: What Shall I Do My God to Love (Jerusalem) - 1. What Shall I Do My God to Love by Methodist Central Hall Choir, Westminster, John Chapman is Presto (very, very fast), since this song has a tempo of 178 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): V. Quoniam tu solus sanctus | Philip Stopford, Grace Davidson, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | B♭ Major | 2 | 6B | 70 BPM | ||
Som forårssolen morgenrød (Påske) | Johann Peter Emilius Hartmann, Det kongelige danske Musikkonservatoriums Børnekor, Margrete Enevold | B♭ Major | 1 | 6B | 102 BPM | ||
Stille Nacht | Amanda Roswick, Nicholas Pitcher | D♭ Major | 1 | 3B | 80 BPM | ||
L’cha Adonai | The Shaar Hashomayim Synagogue Choir | A♭ Minor | 2 | 1A | 80 BPM | ||
Beginning of Easter Liturgy: Amen, Christ Is Risen | Axios Men's Ensemble, Michael Zaugg, Pro Coro Canada, Boyan Ensemble of Kyiv | E♭ Minor | 1 | 2A | 161 BPM | ||
Psalm 146 (Ripley) | Independent Presbyterian Church Savannah, Scottish Festival Singers | E Major | 1 | 12B | 79 BPM | ||
Et misericordia | Haderslev Domkirkes Pigekor, Thomas Berg-Juul, Julia Tabakova, Jonas Hellesøe, Anne Mette Balling, Strygerensemble fra Sønderjyllands Symfoniorkester | D Major | 2 | 10B | 179 BPM | ||
Psalm 29 "Bring unto the Lord O Ye Mighty" | Charles Villiers Stanford, Wells Cathedral Choir, Christopher Brayne, Anthony Crossland | F Major | 1 | 7B | 85 BPM | ||
Requiem: I. Introit and Kyrie | Michael John Trotta, Tenebrae, Nigel Short | E♭ Major | 0 | 5B | 111 BPM | ||
Regina cæli | Jean Langlais, Maîtrise de la Cathédrale de Strasbourg | F Major | 0 | 7B | 128 BPM |
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