Edward Elgar, Cambridge University Chamber Choir, Christopher Robinson's '2 Choral songs, Op. 73: No. 2. Serenade' came out on March 25, 2008. The duration of 2 Choral songs, Op. 73: No. 2. Serenade is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. 2 Choral songs, Op. 73: No. 2. Serenade's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 20 in Elgar: Part-Songs by Edward Elgar. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. 2 Choral songs, Op. 73: No. 2. Serenade is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 2 Choral songs, Op. 73: No. 2. Serenade by Edward Elgar, Cambridge University Chamber Choir, Christopher Robinson is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | ||
Symphony No. 3, Op. 88 (elaborated A. Payne): II. Scherzo: Allegretto | Anthony Payne, Edward Elgar, Bournemouth Symphony Orchestra, Paul Daniel | E Minor | 0 | 9A | 176 BPM | ||
O sacrum convivium! | Olivier Messiaen, Choir of St. John's College, Cambridge, George Guest | E♭ Minor | 1 | 2A | 79 BPM | ||
Som ett blommande mandelträd | Hildor Lundvik, Swedish Radio Choir, Gustaf Sjokvist | E Major | 0 | 12B | 89 BPM | ||
Ave Generosa | Ola Gjeilo, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
2 Choral songs, Op. 73: No. 2. Serenade | Edward Elgar, Cambridge University Chamber Choir, Christopher Robinson | G Major | 1 | 9B | 75 BPM | ||
Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 1 | 7A | 81 BPM | ||
Mass for unaccompanied double choir: III. Credo | Frank Martin, RIAS Kammerchor, Daniel Reuss | E Minor | 1 | 9A | 129 BPM |
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