"Mass for unaccompanied double choir: III. Credo" by Frank Martin, RIAS Kammerchor, Daniel Reuss was released on May 28, 2004. Mass for unaccompanied double choir: III. Credo is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. The song is number 3 out of 16 in Choral Works by Frank Martin, RIAS Kammerchor, Daniel Reuss. Based on our statistics, Mass for unaccompanied double choir: III. Credo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass for unaccompanied double choir: III. Credo by Frank Martin, RIAS Kammerchor, Daniel Reuss is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Songs, Op. 42: I. Abendständchen | Johannes Brahms, RIAS Kammerchor | D♭ Major | 1 | 3B | 106 BPM | ||
Sechs Lieder, Op. 88: V. Deutschland | Felix Mendelssohn, RIAS Kammerchor, Hans-Christoph Rademann | A Minor | 1 | 8A | 81 BPM | ||
To See a World | Sven-David Sandström, Musikhögskolans Kammarkör Piteå, Erik Westberg | G Minor | 0 | 6A | 84 BPM | ||
Wings (Version for Mixed Choir) | Toru Takemitsu, SWR Vokalensemble Stuttgart, Marcus Creed | F Major | 0 | 7B | 73 BPM | ||
Ave Regina caelorum | Kenneth Tay, University of Glasgow Chapel Choir, Katy Lavinia Cooper | A Major | 1 | 11B | 80 BPM | ||
The Armed Man (Ensemble Version): III. Kyrie | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
Ave Maria gratia plena | Orlande de Lassus, Vocalconsort Berlin, Daniel Reuss | G Major | 2 | 9B | 78 BPM | ||
Missa si Deus pro nobis, a 16 voci: III. Kyrie eleison II | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Minor | 2 | 8A | 82 BPM | ||
Quatre motets pour un temps de pénitence: I. Timor et tremor venerunt super me | Francis Poulenc, Bavarian Radio Chorus, Barbara Fleckenstein, Peter Dijkstra | G Major | 1 | 9B | 143 BPM | ||
Solomon, HWV 67, Act I Scene 1: No. 8 "Throughout the land Jehovah's praise record" (Chorus of Israelites) | George Frideric Handel, RIAS Kammerchor, Akademie für Alte Musik Berlin, Daniel Reuss | E Major | 2 | 12B | 73 BPM |
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