"Sechs Lieder, Op. 88: V. Deutschland" by Felix Mendelssohn, RIAS Kammerchor, Hans-Christoph Rademann was released on October 28, 2008. The duration of Sechs Lieder, Op. 88: V. Deutschland is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Sechs Lieder, Op. 88: V. Deutschland's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, RIAS Kammerchor's "Mendelssohn: Choral Works" album is number 23 out of 28. On top of that, France appears to be the country where this track was created. Sechs Lieder, Op. 88: V. Deutschland is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sechs Lieder, Op. 88: V. Deutschland by Felix Mendelssohn, RIAS Kammerchor, Hans-Christoph Rademann to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Grandes Etudes de Paganini, S.141: No.6 In A Minor | Franz Liszt, Daniil Trifonov | A Minor | 2 | 8A | 119 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Andantino JS 201 | Jean Sibelius, Janne Mertanen | D♭ Minor | 0 | 12A | 66 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM |
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