"Quattro pezzi sacri: No. 1, Ave Maria" by Giuseppe Verdi, Robert Shaw, Atlanta Symphony Orchestra was released on May 1, 1991. With this song being about 5 minutes long, at 4:55, "Quattro pezzi sacri: No. 1, Ave Maria" by Giuseppe Verdi, Robert Shaw, Atlanta Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi: Quattro pezzi sacri - Stravinsky: Symphony of Psalms by Atlanta Symphony Orchestra, Robert Shaw. The song's track number on the album is #1 out of 7 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Quattro pezzi sacri: No. 1, Ave Maria's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Quattro pezzi sacri: No. 1, Ave Maria by Giuseppe Verdi, Robert Shaw, Atlanta Symphony Orchestra has a tempo of 131 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Quattro pezzi sacri: No. 1, Ave Maria being at 131 BPM, the half-time would be 66 BPM with a double-time of 262 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Freischütz, J. 277 / Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 4 | 11B | 182 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Madama Butterfly / Act 2: "Un bel dì vedremo" | Giacomo Puccini, Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli | D♭ Major | 1 | 3B | 173 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | E Major | 2 | 12B | 113 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Renata Tebaldi, Orchestre National de l'Opéra de Monte-Carlo, Fausto Cleva | E Major | 1 | 12B | 66 BPM | ||
Verdi: Nabucco, Act 3: Chorus of the Hebrew Slaves. "Va pensiero, sull'ali dorate" | Giuseppe Verdi, Bernard Haitink, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | D♭ Major | 0 | 3B | 75 BPM | ||
La traviata, Act 1: "Libiamo, ne' lieti calici" (Live) | Dame Joan Sutherland, Luciano Pavarotti | B♭ Major | 2 | 6B | 79 BPM | ||
Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | ||
Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' | Maria Callas, Philharmonia Orchestra, Tullio Serafin | E Major | 1 | 12B | 136 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM |
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