"Missa Pontificalis: Benedictus" by Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti was released on April 19, 2019. With Missa Pontificalis: Benedictus being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Lorenzo Perosi, Massimo Nosetti, Marco Limone, Michele Frezza, Coro dell'Accademia Stefano Tempia's "Lorenzo Perosi: Missa Pontificalis - Missa Secunda Pontificalis" album is number 5 out of 14. Based on our statistics, Missa Pontificalis: Benedictus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Pontificalis: Benedictus by Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 9: VIII. Libera me | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Chœur de filles Cæcilia, Yves Castagnet, Christophe Gautier, Henri Chalet, Alice Korovitch | B♭ Major | 0 | 6B | 131 BPM | ||
La passione di Cristo secondo San Marco (arr. M.E. Bossi for organ): Part I: Unus ex duodecim | Marco Enrico Bossi, Lorenzo Perosi, Andrea Macinanti | C Minor | 0 | 5A | 61 BPM | ||
La Passione di Cristo secondo San Marco, La Cena del Signore: "Unus ex duodecim" (Cristo) | Lorenzo Perosi, Orchestra Regionale Filarmonia Veneta, Coro Filarmonico Veneto, Marco Titotto, Sebastiano Crocetta, Elia Fabbian | C Minor | 1 | 5A | 90 BPM | ||
Mass in D Major, Op. 86, B. 153: IV. Sanctus | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | D Major | 2 | 10B | 140 BPM | ||
Messa da requiem: Offertorio | Lorenzo Perosi, Coro Polifonico Castelbarco di Avio, I Virtuosi Italiani, Arturo Sacchetti | B♭ Major | 1 | 6B | 121 BPM | ||
Close Distancing | Stacey Philipps, Oregon Repertory Singers, Ethan Sperry | G Major | 3 | 9B | 64 BPM | ||
Missa Popularis: II. Gloria | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | F Major | 2 | 7B | 129 BPM | ||
Burial Sentences: VII. I Heard A Voice From Heav'n | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | E♭ Major | 1 | 5B | 177 BPM | ||
Magnificat & Nunc Dimittis: Nunc Dimittis - Collegium Regale | Herbert Howells, Andrew Nethsingha, Glen Dempsey, Choir of St. John's College, Cambridge | G Minor | 2 | 6A | 61 BPM | ||
Missa Popularis: V. Agnus Dei | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | B Minor | 1 | 10A | 139 BPM |
Section: 0.6190676689147949
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