"Requiem, Op. 9: VIII. Libera me" by Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Chœur de filles Cæcilia, Yves Castagnet, Christophe Gautier, Henri Chalet, Alice Korovitch was released on March 7, 2012. With this song being about 5 minutes long, at 5:16, "Requiem, Op. 9: VIII. Libera me" by Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Chœur de filles Cæcilia, Yves Castagnet, Christophe Gautier, Henri Chalet, Alice Korovitch is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 17 in Duruflé: Requiem by Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Requiem, Op. 9: VIII. Libera me's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 9: VIII. Libera me by Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Chœur de filles Cæcilia, Yves Castagnet, Christophe Gautier, Henri Chalet, Alice Korovitch is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Burial Sentences: II. I Know That My Redeemer Liveth | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | C Minor | 1 | 5A | 144 BPM | ||
Requiem, Op. 9: Domine Jesu Christe | Maurice Duruflé, Randi Stene, Bo Skovhus, Henrik Brendstrup, Kristian Krogsøe, Aarhus Cathedral Choir, Vocal Group Concert Clemens, Carsten Seyer-Hansen | F Major | 3 | 7B | 122 BPM | ||
Os justi, WAB 30 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | C Major | 0 | 8B | 82 BPM | ||
Prélude et Fugue sur le nom d’Alain, Op. 7: I. Prélude (Allegro) | Maurice Duruflé, Vincent Warnier | F♯ Major | 2 | 2B | 83 BPM | ||
Wie liegt die Stadt so wust | Rudolf Mauersberger, Sospiri, Christopher Watson | B♭ Minor | 0 | 3A | 145 BPM | ||
The Passing of the Year: No. 1. Invocation | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | G Major | 1 | 9B | 143 BPM | ||
Burial Service: I am the resurrection | William Croft, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | D♭ Minor | 2 | 12A | 83 BPM | ||
Requiem, Op. 9: I. Introit | Maurice Duruflé, Corydon Singers, English Chamber Orchestra, Thomas Trotter, Matthew Best | C Major | 1 | 8B | 85 BPM | ||
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
Taaveti laul 141, "Issand, ma huuan Su poole" (Psalm 141, "O Lord I call to thee") | Cyrillus Kreek, Estonian Philharmonic Chamber Choir, Daniel Reuss | B Minor | 0 | 10A | 73 BPM |
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