- BPM
- 73
- Key
- B Minor
- Camelot
- 10A
Taaveti laul 141, "Issand, ma huuan Su poole" (Psalm 141, "O Lord I call to thee") - Cyrillus Kreek, Estonian Philharmonic Chamber Choir, Daniel Reuss Information
- Acousticness
- 99%
- Danceability
- 20%
- Energy
- 5%
- Instrumentalness
- 91%
- Liveness
- 11%
- Loudness
- 51%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 15%
- Loudness
- -29.127 dB
Summary
"Taaveti laul 141, "Issand, ma huuan Su poole" (Psalm 141, "O Lord I call to thee")" by Cyrillus Kreek, Estonian Philharmonic Chamber Choir, Daniel Reuss had its release date on April 3, 2012. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Taaveti laul 141, "Issand, ma huuan Su poole" (Psalm 141, "O Lord I call to thee")'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Daniel Reuss's "Mendelssohn - Kreek: Psalms" album is number 6 out of 17. Taaveti laul 141, "Issand, ma huuan Su poole" (Psalm 141, "O Lord I call to thee") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Taaveti laul 141, "Issand, ma huuan Su poole" (Psalm 141, "O Lord I call to thee") BPM
We consider the tempo marking of Taaveti laul 141, "Issand, ma huuan Su poole" (Psalm 141, "O Lord I call to thee") by Cyrillus Kreek, Estonian Philharmonic Chamber Choir, Daniel Reuss to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Taaveti laul 141, "Issand, ma huuan Su poole" (Psalm 141, "O Lord I call to thee") Key
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Nowadays Forces Heavenly | The Male Choir of Valaam Singing Culture Institute | F Minor | 1 | 4A | 137 BPM | |
 | Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | |
 | Strengthen ye the weak hands | David Buckley, Peter Morton, Rachel Robinson, Christopher Monks | G Major | 1 | 9B | 129 BPM | |
 | Kanon pokajanen: Prayer after the canon | Arvo Pärt, Cappella Amsterdam, Daniel Reuss | D Minor | 0 | 7A | 78 BPM | |
 | The Writings: No. 2, If I Am Silent (After the Book of Esther) | David Lang, Cappella Amsterdam, Daniel Reuss | C Minor | 2 | 5A | 68 BPM | |
 | Wer nur den lieben Gott läßt walten, BWV 434 | Johann Sebastian Bach, Ophira Zakai, Vocalconsort Berlin, Daniel Reuss, Elina Albach | E♭ Minor | 2 | 2A | 85 BPM | |
 | Fünf Gesänge, Op. 104: I. Nachtwache I | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | B♭ Major | 1 | 6B | 79 BPM | |
 | Christmas Troparion (Inexpressible Wonder, No.4) | Georgy Sviridov, Conspirare, Craig Hella Johnson | D♭ Major | 1 | 3B | 71 BPM | |
 | Dos estrellas le seguen. Romance – à 2, 3 & 4 | Manuel Machado, Paul Van Nevel, Huelgas Ensemble | C Major | 1 | 8B | 89 BPM | |
 | Deo gratias | Johannes Ockeghem, Paul Van Nevel | C Major | 1 | 8B | 60 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records