Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl Münchinger made "Flute Concerto No. 2 in D Major: I. Amoroso" available on January 1, 2010. The duration of Flute Concerto No. 2 in D Major: I. Amoroso is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Flute Concerto No. 2 in D Major: I. Amoroso's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Volume 1 : Concertos Et Récitals 1961-1965 by Jean-Pierre Rampal. The song's track number on the album is #11 out of 148 tracks. In terms of popularity, Flute Concerto No. 2 in D Major: I. Amoroso is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Flute Concerto No. 2 in D Major: I. Amoroso by Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl Münchinger has a tempo of 108 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Flute Concerto No. 2 in D Major: I. Amoroso being at 108 BPM, the half-time would be 54 BPM with a double-time of 216 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | C Major | 0 | 8B | 74 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Membra Jesu Nostri, BuxWV 75: Ad pedes. Ecce super montes | Dietrich Buxtehude, Cantus Cölln, Konrad Junghanel | C Minor | 0 | 5A | 116 BPM | ||
La serva padrona, intermezzo secondo: Recitativo | Giovanni Battista Pergolesi, Ensemble Baroque de Nice, Gilbert Bezzina, Isabelle Poulenard, Philippe Cantor | D♭ Major | 2 | 3B | 112 BPM | ||
San Casimiro, re di Polonia: Al serto le rose (Duetto) | Alessandro Scarlatti, Núria Rial, Valer Sabadus | A Major | 1 | 11B | 95 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Pergolesi: Confitebor: IV. Redemptionem misit | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 2 | 11A | 120 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM |
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