Alessandro Marcello, Venice Baroque Orchestra's 'Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato' came out on 1998. The duration of Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato is about 3 minutes long, at 3:11. Based on our data, "Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Alessandro Marcello, Venice Baroque Orchestra's "Marcello: Concerto in D minor - Unpublished Concertos and Cantatas" album is number 1 out of 22. On top of that, United Kingdom appears to be the country where this track was created. Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato by Alessandro Marcello, Venice Baroque Orchestra to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La naissance d'Osiris: Overture | Jean-Philippe Rameau, Capella Savaria, Mary Terey-Smith | B Major | 1 | 1B | 113 BPM | ||
Passacaglia g-moll | Heinrich Ignaz Franz von Biber, Reinhard Goebel | F♯ Minor | 1 | 11A | 83 BPM | ||
Violin Concerto in A Major, D. 96: II. Adagio | Giuseppe Tartini, Venice Baroque Orchestra, Andrea Marcon, Giuliano Carmignola | B♭ Major | 1 | 6B | 108 BPM | ||
Ciacona in G Minor, Z. 730 | Henry Purcell, Orpheus Chamber Orchestra, Edward Brewer | G Minor | 1 | 6A | 138 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): I. Preludio | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 82 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Canon And Gigue In D Major: 2. Gigue | Johann Pachelbel, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 3 | 3B | 119 BPM | ||
Concerto in D Minor: II. Adagio | Alessandro Marcello, Omar Zoboli, Diego Fasolis | F♯ Major | 2 | 2B | 91 BPM | ||
Elégie, Op. 24 | Gabriel Fauré, Julian Lloyd Webber, English Chamber Orchestra, Yan Pascal Tortelier | A♭ Major | 0 | 4B | 84 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): I. Introduzione | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | B Major | 1 | 1B | 124 BPM |
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