Heinrich Ignaz Franz von Biber, Reinhard Goebel's 'Passacaglia g-moll' came out on January 1, 1991. Since Passacaglia g-moll is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Heinrich Ignaz Franz von Biber, Reinhard Goebel, Musica Antiqua Köln's "Heinrich Ignaz Franz Biber: Rosenkranz-Sonaten" album is number 8 out of 16. Passacaglia g-moll is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Passacaglia g-moll by Heinrich Ignaz Franz von Biber, Reinhard Goebel to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Chacony in G | John Blow, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 120 BPM | ||
Romance for Cello and Piano | Frederick Delius, Yo-Yo Ma, Kathryn Stott | B Major | 0 | 1B | 66 BPM | ||
Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | ||
3 Intermezzi, Op. 117: No. 3 in C-Sharp Minor, Andante con moto | Johannes Brahms, Glenn Gould | E♭ Minor | 0 | 2A | 79 BPM | ||
Mystery (Rosary) Sonata: No. 13 in D Minor “The Descent of the Holy Spirit": I. Sonata | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM | ||
Clarinet Sonata in E-Flat Major: II. Andante | Felix Mendelssohn, Eduard Brunner, Adrian Oetiker | B♭ Major | 0 | 6B | 66 BPM | ||
Impromptus, Op. 90, D. 899: Impromptu No. 4 in A-Flat Major | Franz Schubert, Simone Dinnerstein | A♭ Major | 0 | 4B | 66 BPM | ||
Beau Soir, L.6 | Mischa Maisky, Claude Debussy, Daria Hovora | F♯ Minor | 1 | 11A | 71 BPM | ||
Triumphe de L'Amour (1681): Prélude pour la nuit | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Minor | 0 | 12A | 127 BPM |
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