"Membra Jesu Nostri, BuxWV 75: Ad pedes. Ecce super montes" by Dietrich Buxtehude, Cantus Cölln, Konrad Junghanel was released on May 26, 2005. Since Membra Jesu Nostri, BuxWV 75: Ad pedes. Ecce super montes is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 8 in Buxtehude: Membra Jesu Nostri by Dietrich Buxtehude, Cantus Cölln, Konrad Junghanel. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Membra Jesu Nostri, BuxWV 75: Ad pedes. Ecce super montes is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Membra Jesu Nostri, BuxWV 75: Ad pedes. Ecce super montes by Dietrich Buxtehude, Cantus Cölln, Konrad Junghanel is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vespro della Beata Virgine - Arr. Philip Pickett: Versiculum: Deus in adiutorium | Claudio Monteverdi, Philip Pickett, Catherine Bott, Tessa Bonner, Christopher Robson, John Mark Ainsley, Michael George, New London Consort | F Major | 2 | 7B | 76 BPM | ||
Monteverdi: Hor che'l ciel e la terra e'l vento tace, SV 147 | Claudio Monteverdi, Christina Pluhar, Michaela Riener, Lauren Armishaw, Philippe Jaroussky, Jan Van Elsacker, Cyril Auvity, Nicolas Achten, Joao Fernandes | G Major | 1 | 9B | 112 BPM | ||
Magnificat in B flat major: Et misericordia | Francesco Durante, Bernhard Landauer, Thomas Hengelbrock | F♯ Minor | 0 | 11A | 78 BPM | ||
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | ||
Te Deum: II. Te Deum Laudamus | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall | D♭ Major | 2 | 3B | 111 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax sincera | Antonio Vivaldi, Simone Kermes, Venice Baroque Orchestra, Andrea Marcon | E Major | 1 | 12B | 69 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché | Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez | F♯ Major | 1 | 2B | 77 BPM | ||
Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: III. Andante [Passacaglia] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Florence Bolton, Benjamin Perrot | F♯ Minor | 2 | 11A | 130 BPM |
Section: 0.6880333423614502
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