Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante - Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester Information

Acousticness: 95%
Danceability: 7%
Energy: 1%
Instrumentalness: 82%
Liveness: 11%
Loudness: 45%
Speechiness: 4%
Valence: 10%
Popularity: 13%
Loudness: -33.128 dB

Summary

"Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante" by Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester was released on September 28, 2001. The duration of Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor's "Gluck: Orfeo ed Euridice" album is number 1 out of 33. Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante BPM

We consider the tempo marking of Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante by Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante Key

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Paulus: I. Teil: Ouvertüre	Felix Mendelssohn, Philippe Herreweghe, Orchestre des Champs-Élysées	G Major	2	9B	116 BPM
Maddalena ai piedi di Cristo: No. 47 Aria Maddalena, "Per il mar del pianto mio"	Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr, Orchestre de la Schola Cantorum Basiliensis	B Minor	0	10A	128 BPM
Waldszenen, Op. 82: No. 7 Vogel als Prophet	Robert Schumann, Wilhelm Kempff	E Major	0	12B	120 BPM
Concerto in E minor for oboe, strings and basso continuo: I. Andante	Georg Philipp Telemann, Han De Vries, Alma Musica Amsterdam, Bob van Asperen, Wouter Möller	E♭ Minor	1	2A	105 BPM
Guitar Quintet No. 7 in E Minor, G. 451: I. Allegro moderato	Luigi Boccherini, José Miguel Moreno, La Real Cámara	E♭ Minor	1	2A	118 BPM
Concerto a 5 in D minor, Op.9, No.2 for Oboe, Strings, and Continuo: 2. Adagio	Tomaso Albinoni, Frank de Bruine, Academy of Ancient Music, Christopher Hogwood	D♭ Major	2	3B	108 BPM
Orfeo ed Euridice (arr. G. Sgambati): Melodie	Giovanni Sgambati, Christoph Willibald Gluck, Anthony Goldstone	D Minor	0	7A	152 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo	Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana	D Major	1	10B	78 BPM
Iphigénie en Tauride / Act 2: Air et choeur. "O malheureuse Iphigénie!" - Live	Christoph Willibald Gluck, Yann Beuron, Chorus Of Les Musiciens Du Louvre, Mireille Delunsch, Simon Keenlyside, Les Musiciens du Louvre, Marc Minkowski	B♭ Minor	1	3A	103 BPM
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement)	Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov	C Major	1	8B	104 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.618410587310791

End: 0.6222708225250244