Felix Mendelssohn, Philippe Herreweghe, Orchestre des Champs-Élysées made "Paulus: I. Teil: Ouvertüre" available on 1996. Paulus: I. Teil: Ouvertüre is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. The track order of this song in Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe's "Mendelssohn: Paulus" album is number 1 out of 45. On top of that, France appears to be the country where this track was created. In terms of popularity, Paulus: I. Teil: Ouvertüre is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Paulus: I. Teil: Ouvertüre by Felix Mendelssohn, Philippe Herreweghe, Orchestre des Champs-Élysées to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 104 in D Major, Hob.I:104, "London": II. Andante | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | D Major | 2 | 10B | 136 BPM | ||
Ancient Airs And Dances, Suite No.1, [P. 109]: 2. Gagliarda | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | D Major | 1 | 10B | 93 BPM | ||
Dvořák: The Water Goblin, Op. 107, B. 195: I. Allegro vivo | Antonín Dvořák, Sir Simon Rattle, Berliner Philharmoniker | E Minor | 0 | 9A | 141 BPM | ||
3 Romances, Op. 22: 1. Andante molto | Clara Schumann, Janine Jansen, Antonio Pappano | D♭ Major | 1 | 3B | 74 BPM | ||
Water Music, Suite No. 3, HWV 350: Water Music, Suite No. 3, HWV 350: XXIi. Minuet (Coro) | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 174 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: 2. Andante | Felix Mendelssohn, Lang Lang, Chicago Symphony Orchestra, Daniel Barenboim | E Major | 0 | 12B | 80 BPM | ||
Ruy Blas, Op. 95: Overture | Felix Mendelssohn, Walter Weller, Royal Scottish Orchestra | C Minor | 2 | 5A | 134 BPM | ||
Music For The Royal Fireworks: Suite HWV 351: 1. Ouverture | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Major | 4 | 3B | 136 BPM |
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