Alessandro Scarlatti, Núria Rial, Valer Sabadus made "San Casimiro, re di Polonia: Al serto le rose (Duetto)" available on January 6, 2017. The duration of San Casimiro, re di Polonia: Al serto le rose (Duetto) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. San Casimiro, re di Polonia: Al serto le rose (Duetto)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Sacred Duets". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, San Casimiro, re di Polonia: Al serto le rose (Duetto) is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With San Casimiro, re di Polonia: Al serto le rose (Duetto) by Alessandro Scarlatti, Núria Rial, Valer Sabadus having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La flora: Trombe d'Ausonia | Marc'Antonio Ziani, Maria Keohane, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A Major | 3 | 11B | 123 BPM | ||
Magnificat: VIII. Deposuit potentes | Francisco Guerrero, Núria Rial, Raúl Mallavibarrena | C Minor | 0 | 5A | 71 BPM | ||
Stabat Mater: XII. Fac ut animae donatur | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A♭ Minor | 2 | 1A | 89 BPM | ||
Symphony in B-Flat Major, Op. 2 No. 1: II. Moderato e dolce | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 84 BPM | ||
Sento nel core certo dolore, H. 655: Recitativo "Bella Clori vezzosa" | Alessandro Scarlatti, Lucile Richardot, Philippe Grisvard | F Minor | 3 | 4A | 81 BPM | ||
Concerto di Flauti, S.D945: II. Allegro | Alessandro Marcello, Dorothee Oberlinger | C Major | 1 | 8B | 138 BPM | ||
from 7 Arie con Tromba Sola: 4. Rompe Sprezza - Voice | Alessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson | D Major | 1 | 10B | 85 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Durante / Orch Courbier & Delaforge: Danza, Danza fanciulla gentile [Orch. Courbier & Delaforge] | Francesco Durante, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 4 | 11A | 109 BPM |
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