"Lohengrin: Act III Scene 1: Treulich gefuhrt, ziehet dahin (Wedding March) (Chorus)" by Richard Wagner, Kwangchul Youn, Johan Botha, Adrianne Pieczonka, Falk Struckmann, Petra Lang, Eike Wilm-Schulte, Prague Chamber Chorus, North German Radio Chorus, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Semyon Bychkov was released on May 1, 2009. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wagner, R.: Lohengrin [Opera] by Richard Wagner, Semyon Bychkov. The song's track number on the album is #2 out of 43 tracks. In terms of popularity, Lohengrin: Act III Scene 1: Treulich gefuhrt, ziehet dahin (Wedding March) (Chorus) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lohengrin: Act III Scene 1: Treulich gefuhrt, ziehet dahin (Wedding March) (Chorus) by Richard Wagner, Kwangchul Youn, Johan Botha, Adrianne Pieczonka, Falk Struckmann, Petra Lang, Eike Wilm-Schulte, Prague Chamber Chorus, North German Radio Chorus, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Semyon Bychkov has a tempo of 99 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lohengrin: Act III Scene 1: Treulich gefuhrt, ziehet dahin (Wedding March) (Chorus) being at 99 BPM, the half-time would be 50 BPM with a double-time of 198 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Borodin: Prince Igor, Act II: Polovtsian Dances (Excerpt) | Alexander Borodin, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham | A Major | 1 | 11B | 79 BPM | ||
Tannhäuser - Paris version / Act II: "Freudig begrüßen wir die edle Halle" | Richard Wagner, Chorus of the Royal Opera House, Covent Garden, Philharmonia Orchestra, Giuseppe Sinopoli | B Major | 2 | 1B | 122 BPM | ||
Lehar: Giuditta, Act 3: "Meine Lippen sie küssen so heiss" (Annita) | Franz Lehár, Diana Damrau, David Charles Abell, Fritz Löhner-Beda, Royal Liverpool Philharmonic Orchestra | E Major | 4 | 12B | 81 BPM | ||
Carmina Burana: XXI. In trutina | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 170 BPM | ||
Offenbach: Robinson Crusoë, Act 2: "Conduisez-moi vers celui que j'adore" (Edwige) | Jacques Offenbach, Natalie Dessay, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 100 BPM | ||
Requiem, Op. 48: VI. Agnus Dei | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | F Major | 3 | 7B | 128 BPM | ||
Carmina Burana / 1. Primo vere: "Veris leta facies" | Carl Orff, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus | D Minor | 2 | 7A | 135 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" | Gioachino Rossini, Teresa Berganza, London Symphony Orchestra, Sir Alexander Gibson | F Major | 1 | 7B | 73 BPM | ||
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fliessender Bewegung | Gustav Mahler, Czech Philharmonic Orchestra, Semyon Bychkov | B Minor | 2 | 10A | 77 BPM |
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