- BPM
- 77
- Key
- B♭ Minor
- Camelot
- 3A
Messa da Requiem: II Lacrymosa - Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra Information
- Acousticness
- 99%
- Danceability
- 19%
- Energy
- 15%
- Instrumentalness
- 7%
- Liveness
- 9%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 2%
- Loudness
- -21.588 dB
Summary
"Messa da Requiem: II Lacrymosa" by Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra was released on September 19, 1997. Messa da Requiem: II Lacrymosa is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. This song is part of Verdi: Requiem / Quattro Pezzi Sacri by Giuseppe Verdi, Mass Text. The song's track number on the album is #11 out of 24 tracks. Messa da Requiem: II Lacrymosa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Messa da Requiem: II Lacrymosa BPM
Since Messa da Requiem: II Lacrymosa by Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Messa da Requiem: II Lacrymosa being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
Messa da Requiem: II Lacrymosa Key
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Confutatis | Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | B Major | 1 | 1B | 82 BPM | |
 | The Kiss (Hubicka) - Opera in 2 Acts: Lullaby | Bedřich Smetana, Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing | A Major | 1 | 11B | 75 BPM | |
 | Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | |
 | Te Deum, Op.22: Te Deum - Live | Hector Berlioz, Martin Haselböck, European Community Youth Orchestra, Claudio Abbado, London Symphony Chorus, London Philharmonic Choir, Wooburn Singers, St. Alban's School Choir, Haberdasher's Aske's School Boy's Choir, Southend Boys Choir, Desborough School Choir, The Choir of Forest School, Winnersh, The Choirboys of High Wycombe Parish Church | F Major | 1 | 7B | 93 BPM | |
 | Bank ban: Act I Scene 3: Finale: Most Gertrud elbocsat (My noble guests) (Gertrud, Chorus, Melinda, Otto, Petur) | Ferenc Erkel, Jozsef Simandy, Karola Agay, Sandor Sòlyom-Nagy, Erzsebet Komlossy, Jozsef Reti, András Faragó, Laszlo Palocz, Gyorgy Melis, Imre Joky, András Rajna, Hungarian State Opera Chorus, Budapest Philharmonic Orchestra, Janos Ferencsik | F Major | 1 | 7B | 72 BPM | |
 | Fauré: Super flumina Babylonis | Gabriel Fauré, Paavo Järvi, Choeur de l'Orchestre de Paris, Laetitia Singleton, Maria Virginia Savastano, Mathias Vidal, Ugo Rabec, Orchestre de Paris | A Minor | 1 | 8A | 115 BPM | |
 | Palestrina, WoO17, Pt. 3, Scene 1: Wie lange sie bleiben (Choristers/Palestrina/Ighino) | Hans Pfitzner, Staatskapelle Dresden, Peter Schreier, Carola Nossek, Heinz Reeh, Olaf Bär, Peter Menz, Peter Bindszus, Dario Süss | F♯ Major | 1 | 2B | 83 BPM | |
 | La Damnation de Faust, Op. 24, H 111 / Pt. 4: Scène 15. Romance. "D'amour l'ardente flamme" | Hector Berlioz, Frederica von Stade, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | F Major | 0 | 7B | 108 BPM | |
 | Mass No. 2 in E Minor, WAB 27: VI. Agnus Dei | Anton Bruckner, Bavarian Radio Symphony Orchestra, Eugen Jochum, Bavarian Radio Chorus | E Minor | 0 | 9A | 139 BPM | |
 | Prince Igor (Knyaz Igor): II. Allegro | Alexander Borodin, Ferenc Beganyi, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Janos Sandor | D Major | 3 | 10B | 176 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8373737335205078
End: 0.8422889709472656