- BPM
- 108
- Key
- F Major
- Camelot
- 7B
La Damnation de Faust, Op. 24, H 111 / Pt. 4: Scène 15. Romance. "D'amour l'ardente flamme" - Hector Berlioz, Frederica von Stade, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti Information
- Acousticness
- 90%
- Danceability
- 22%
- Energy
- 3%
- Instrumentalness
- 0%
- Liveness
- 8%
- Loudness
- 58%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 17%
- Loudness
- -25.012 dB
Summary
"La Damnation de Faust, Op. 24, H 111 / Pt. 4: Scène 15. Romance. "D'amour l'ardente flamme"" by Hector Berlioz, Frederica von Stade, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti was released on May 3, 1982. La Damnation de Faust, Op. 24, H 111 / Pt. 4: Scène 15. Romance. "D'amour l'ardente flamme" appears to be safe for all ages as it is not explicit. The song is number 29 out of 35 in Berlioz: La Damnation de Faust by Hector Berlioz, Sir Georg Solti, Kenneth Riegel, Frederica von Stade, José van Dam, Malcolm King, Chicago Symphony Chorus, Chicago Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, La Damnation de Faust, Op. 24, H 111 / Pt. 4: Scène 15. Romance. "D'amour l'ardente flamme" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Damnation de Faust, Op. 24, H 111 / Pt. 4: Scène 15. Romance. "D'amour l'ardente flamme" BPM
The tempo marking of La Damnation de Faust, Op. 24, H 111 / Pt. 4: Scène 15. Romance. "D'amour l'ardente flamme" by Hector Berlioz, Frederica von Stade, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
La Damnation de Faust, Op. 24, H 111 / Pt. 4: Scène 15. Romance. "D'amour l'ardente flamme" Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: III. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Lang Lang, Chicago Symphony Orchestra, Daniel Barenboim | B♭ Minor | 2 | 3A | 82 BPM | |
 | M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | |
 | Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Bavarian Radio Symphony Orchestra, Sir Colin Davis | E Major | 1 | 12B | 78 BPM | |
 | Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | |
 | I Puritani / Act 2: Cinta di fiori | Vincenzo Bellini, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | A♭ Major | 2 | 4B | 129 BPM | |
 | Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 9. The Death Of Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | |
 | Fidelio, Op. 72 - Edited Helga Lühning & Robert Didio / Act 1: Jetzt, Schätchen, jetz sind wir allein | Ludwig van Beethoven, Rachel Harnisch, Christoph Strehl, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | A Major | 1 | 11B | 85 BPM | |
 | Requiem No. 1 in C Minor: Sanctus | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | A♭ Major | 1 | 4B | 77 BPM | |
 | Firebird Suite - 1919 Version | Chicago Symphony Orchestra | B Major | 1 | 1B | 80 BPM | |
 | Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Dir, der Unberuhrbaren - Du schwebst zu Hohen der ewigen Reiche - | Gustav Mahler, Barbara Kubiak, Izabela Klosinska, Marta Boberska, Jadwiga Rappe, Ewa Marciniec, Timothy Bentch, Wojtek Drabowicz, Piotr Nowacki, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | E Major | 1 | 12B | 141 BPM |
- ISRC
- GBF078140629
- Label
- L-M Records/RCA Records
Section: 0.9289610385894775
End: 0.9341630935668945